Bibliography: Books, Articles, and CDs
Books
- 1991. Computers and Musical Style. Madison, WI: A-R Editions.
- 1996. Experiments in Musical Intelligence. Madison, WI: A-R Editions.
- 2000. Techniques of the Contemporary Composer NY: Schirmer Books. Press.
- 2000. New Directions in Music 7th ed. Prospect Heights, Illinois: Waveland Press.
- 2000. The Algorithmic Composer. Madison, WI: A-R Editions.
- 2001. Virtual Music. Cambridge, MA: MIT Press.
- 2005. Computer Models of Musical Creativity. Cambridge, MA: MIT Press..
- 2009. Hidden Structure: Music Analysis Using Computers. Madison, WI: A-R Editions.
- 2008. Tinman: A Life Explored. Bloomington: IUniverse.
- 2011. Comes the Fiery Night NY: Amazon Books.
- 2012. A Musicianship Primer San Francisco: Epoc Books.
- 2012. Taking Sides San Francisco: Epoc Books.
- 2012. Tinman Too: A Life Explored. Bloomington: IUniverse.
- 2012. ars ingenero. San Francisco: Epoc Books.
- 2012. The Death of Karlin Mulrey. (novel), San Francisco: Epoc Books.
- 2012. Not by Death Alone (novel), San Francisco: Epoc Books.
- 2012. Death by Proxy (novel), San Francisco: Epoc Books.
- 2012. Mind Over Death (novel), San Francisco: Epoc Books.
- 2012. Of Blood and Tears (short stories), San Francisco: Epoc Books.
- 2012. My Gun is Loaded (short stories), San Francisco: Epoc Books.
- 1992. "A Computer Model of Music Composition." In Machine Models of Music, Stephan Schwanauer and David Levitt, eds. Cambridge, Mass.: MIT Press.
- 1992. "On the Algorithmic Representation of Musical Style." In Understanding Music with AI , M. Balaban, K. Ebcioglu, and O. Laske, eds. Menlo Park, Calif.: AAAI Press.
- 1998. "Signatures and Earmarks: Computer Recognition
of Patterns in Music.." In Melodic
Similarity, Concepts, Procedures, and Applications. Walter B. Hewlett
and Eleanor Selfridge-Field (eds.). Cambridge, MA: MIT Press.
Articles
- 1987. "Experiments in Music Intelligence." In Proceedings of the International Computer Music Conference, San Francisco: Computer Music Association.
- 1987. "An Expert System for Computer-Assisted Music Composition." Computer Music Journal 11,4 (Winter): 30-46.
- 1988. "Music and LISP." AI Expert 3,3 (March): 26-34.
- 1988. "Music: The Universal Language." In Proceedings of the First Workshop on Artificial Intelligence and Music. Minneapolis/St. Paul, MN: AAAI: 87-98.
- 1989. "Experiments in Musical Intelligence (EMI): Non-Linear Linguistic-based Composition." Interface Vol. 18: 117-139.
- 1990. "Pattern Matching as an Engine for the Computer Simulation of Musical Style." In Proceedings of the 1990 International Computer Music Conference. San Francisco: Computer Music Association.
- 1991. "Recombinant Music." COMPUTER. (July).
- 1991. "Computer Simulations of Musical Style." Computers in Music Research, The Queens University of Belfast, 7-10 (April): 15-17.
- 1992. "Computer Modeling of Musical Intelligence in Experiments in Musical Intelligence." Computer Music Journal 16,2 (Summer): 69-83.
- 1993. "Virtual Music." Electronic Musician, 9:5 (May): 80-85.
- 1996. "Mimesis du style et de la structure musicale." Symposium on Composition, Modelisation et Ordinateur. IRCAM, Paris: 21-3.
- 1997. "Composer's Underscoring Environment." In Proceedings of the International Computer Music Conference. San Francisco: Computer Music Association.
Books as D. H. Cope (Fiction)
Chapters in Books
