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Recent Articles and Talks
Eleanor Selfridge-Field Consulting Professor, Music and Symbolic Systems
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Research Links
Teaching Links
Musical Data Resources
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Italian Culture, Music, and History “Musical Commerce and the Fiera della Sensa, 1720-1760,” Venezia mercato delle arti, Venice, 11 October 2008. “Ritual,
Liturgy, and the Venetian Theatrical Calendar,” L’opéra
italien en Europe à l’époque de Haendel: Transmission, circulation et
reception d’un genre international, ed. D. Colas, A. Di Profio, G. Gétreau,
and P. Petrobelli. “Scuole della musica a Venezia da 1500 al 1797,” Recercare, 2007 [posthumous completion, with Loris Stella, of work of Gastone Vio]. “From
Carnival Opera to Lenten Opera: The Politics of Theatrical Time,”
Passages: Congress of the International Musicological Society, “Dating
Venetian Operas: Implications and Quandries for Vivaldi Studies,”
Convegno Internationale Vivaldiano, “Night
and Theatrical Time in Early Modern “The Invention of the Fortepiano as Intellectual
History,”
Early Music 29
(2005), 81-94. “Dramaturgical Hours: How Lunar and Solar Cycles influenced the Length and Character of Venetian Operas,” Twelfth Biannual Baroque Studies Conference, Manchester (UK), July 14-18, 2004. “Messalina: Context and Content” in the facs. edn. Francesco Maria Piccioli—Carlo Pallavicino, Messalina (Drammaturgia musicale veneta, viii), Milan: Ricordi, 2003, pp. ix-lxxiv. “La Guerra dei Comici: Mantuan Comedy and Venetian Opera in c. 1700,” Recercare, X (1998, In memoriam Nino Pirrotta), 209-248. “His, Hers, Theirs: Wedding Pageants, Wedding Operas, and the Musical Politics of Match-Making,” American Musicological Society, UCLA, 28 April 2001. “Rites of Autumn, Winter, and Spring: Decoding the Calendar of Venetian Opera,” Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 13 July 2000. “Horse Ballets in Baroque Italy,” Berkeley Early Music Festival, 7 June 2000. “Celebrations of Power: The Performing Arts in Baroque Venice.” National Gallery of Art, Washington, DC (1995) and other venues. “Expanding Violin Technique in Vivaldi's Time,” lecture-demo with Stanley Ritchie (Baroque violin), Boston Handel and Haydn Society, 2000. “La guerra de' comici: Mantuan Comedy and Venetian Opera in c.1700,” Recercare X (1998), 209-248. “Rovetta's Music for Holy Week,” La Basilica di San Marco nell'età moderna, ed. Francesco Passadore e Franco Rossi (talk, 1994; book, Venice: Fondazione Levi, 1998), pp. 401-441. Draft version of article. Score for mass. “Venetian Opera, French Criticism, and English Travels: The Case of Le Mercure de France and Joseph Addison,” Revue de musicologie, 83/2 (1997), pp. 185-201. Draft. “Venice: Musical Expression in an Era of Political Decline” in Music and Man (gen. ed. Stanley Sadie), 4: The Late Baroque Era from the 1680s to 1740, ed. George J. Buelow (London: Macmillan, 1993), pp. 66-93. “Genre and Instrumentation in Italian Music, 1600-1670,” Early Music, XIX/1 (1991), pp. 61-7. “The Baroque Era: Introduction” in Performance Practice (The New Grove Handbooks in Music), II: Music after 1600, ed. Howard Mayer Brown and Stanley Sadie, 2 vols. (London: The Macmillan Press and New York: W.W. Norton & Co., Ltd., 1989), II, pp. 3-19.
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Music Theory, Cognition, and Technology “Symbolic
Musical Data: Tutorial (with Craig Stuart Sapp). Proceedings
of the Ninth International Symposium on Music Information Retrieval,
“Digital
Philology, Performing Medium, and Graphical Idiom,” Digitale
Edition zwischen Experiment und Standardisierung. “Algorithms
for Music Information Retrieval: The Hausdorff Metric and Geometric
Hashing” [lead author: Christian André Romming], ISMIR 2007. http://ismir2007.ismir.net/proceedings/ISMIR2007_p457_romming.pdf. “Social
Dimensions of Melodic Identity, Cognition, and Association,” Musicae
Scientiae: European Journal for the Sciences of Music (2007),
77-97.
“Social
Cognition and Melodic Persistence: Where Metadata and Content Diverge,” ISMIR2006 ( “Towards
a Measure of Cognitive Distance in Melodic Similarity,” Music
Query: Methods, Models, and User Studies (Computing in Musicology,
13 [2004]), 93-112. “Search
Effectiveness Measures for Symbolic Music Queries in Very Large
Databases,” [with “Is
Implicit Information Retrievable in Music Queries?”, Invited talk,
Dagstuhl (DE) Seminar No. 04021. 8 January 2004. “The
Temperament, Scale, and Mode of Koto Music” [with Sachiko Deguchi and
Katsuhiko Shirai] in Music and
Globalization [in Japanese] ( “Base-40
Arithmetic: Implications for Notation-Based Applications,” Invited
talk, WEDEL 2003/Interactive Music Network. “Composition,
Combinatorics, and Simulation: A Historical and Philosophical Enquiry”
in David Cope (ed.), Virtual
Music: Computer Synthesis of Musical Style ( “The
Electronic Dissemination of Notated Music: An Overview” [with “Data
Models for Virtual Distribution of Musical Scores” (with Walter B.
Hewlett and Craig Stuart Sapp), First
International Congress on Web Delivery of Music ( “Domain
Relationships in Man-Machine Interactions in Music” in Machines
and History: Proceedings of the Ninth International Congress of the
German Association for Semiotic Studies (Dresden, 3-6 October
1999). “Conceptual
and Representational Issues in Melodic Comparison” in Melodic
Similarity, (Computing in
Musicology, 11, 1998), 3-64. “Experiments
with Melody and Meter, or The Effects of Music: The Edison-Bingham Music
Research,” The Musical
Quarterly 81/2 (1997), 291-310.
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Music Copyright
“Copyright Issues in Scholarly Editions of Music,” American
Musicological Society,
Organizer and Chair, “Musical Data as Intellectual Property”
[panel], ISMIR2004, Barcelona (ES). Participants: Charles Cronin, Enric
Enrich, Masataka Goto. October 13, 2004. “Fixed Form, Fluid Content: Musical Data as Intellectual Property,” Invited talk, Conference on Virtual Scores, Kernochan Center for Law and the Arts, Law School, Columbia University, 5 May 2003.
“Music Copyright, Music Technology, and Music Archiving: Issues and
Interpretations,” Fourth Conference on Digital Resources in the Humanities.
King’s College,
“Copyright and Fair Use in Electronic Scholarship,” Joint Annual
Meeting, Society for Music Theory and the American Musicological
Society,
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| Last updated: 4 December 2008 |