(C) 2004, 2004 Center for Computer Assisted Research in the Humanities. ID: {viv/roger/op1/rv079/stage2/02/04} TIMESTAMP: DEC/10/2005 [md5sum:ecd939a38ff2b3eef64aaa652b9c0759] 11/01/04 Fran Bennion WK#:01,11 MV#:2 RV 79 / Estienne Roger (No. 363), Amsterdam [facs.] Vivaldi Op.1, No 11 in b minor Movement 2 - Corrente Basso continuo (Organo) Group memberships: score score: part 4 of 4 &1 The old "+", "x" figured bass notations in Roger were replaced by the easier to read "#" as a figure or an addition to a figure. When "/" & "\" crossed through numbered figures in Roger, we modified the numbers with a "#", "b" or a natural, as was appropriate. &1 Pv4.02 $ Q:4 K:2 T:3/8 C:22 D:Allegro B2 2 1 e u measure 1 B2 4 1 q u rest 2 1 e measure 2 B2 2 1 e u rest 2 1 e B2 2 1 e u measure 3 F#3 2 1 e d f1 6 A#2 4 1 q # u measure 4 B2 2 1 e u rest 2 1 e B2 2 1 e u measure 5 F#3 2 1 e d f1 6 A#2 4 1 q # u measure 6 B2 2 1 e u [ F#3 2 1 e u = f1 6 A#2 2 1 e # u ] measure 7 B2 2 1 e u [ F#3 2 1 e u = f1 6 A#2 2 1 e # u ] measure 8 B2 2 1 e u [ F#3 2 1 e u = f1 6 A#2 2 1 e # u ] measure 9 B2 2 1 e u f1 6 G3 4 1 q d measure 10 f1 # F#3 3 1 e. d [ G3 1 1 s d =[ F#3 1 1 s d == E3 1 1 s d ]] measure 11 f1 6 D3 2 1 e u [ B2 2 1 e u = B2 2 1 e u ] measure 12 B2 2 1 e u [ B2 2 1 e u = B2 2 1 e u ] measure 13 f2 6# 5n C#3 2 1 e u [ C#3 2 1 e u = C#3 2 1 e u ] measure 14 C#3 2 1 e u [ C#3 2 1 e u = C#3 2 1 e u ] measure 15 f1 6 D3 2 1 e d [ D3 2 1 e d = D3 2 1 e d ] measure 16 D3 2 1 e d [ D3 2 1 e d = D3 2 1 e d ] measure 17 E3 2 1 e d [ E3 2 1 e d = E3 2 1 e d ] measure 18 E3 2 1 e d [ E3 2 1 e d = E3 2 1 e d ] measure 19 f2 7 5 E#3 2 1 e # d [ E#3 2 1 e d = E#3 2 1 e d ] measure 20 E#3 2 1 e # d [ &1 &1 No # on E3 in Roger. Old notation. Sharp carries over bar line. &1 E#3 2 1 e d = E#3 2 1 e d ] measure 21 F#3 4 1 q d rest 2 1 e measure 22 f1 6 A3 2 1 e d rest 2 1 e rest 2 1 e measure 23 B3 2 1 e d rest 2 1 e rest 2 1 e measure 24 f1 # C#4 2 1 e d rest 2 1 e rest 2 1 e measure 25 D4 2 1 e d rest 2 1 e rest 2 1 e measure 26 f1 6 A3 2 1 e d rest 2 1 e rest 2 1 e measure 27 B3 2 1 e d rest 2 1 e rest 2 1 e measure 28 f1 # C#4 2 1 e d C#3 4 1 q u measure 29 F#3 2 1 e d [ F#3 2 1 e d = F#3 2 1 e d ] measure 30 F#3 2 1 e d [ F#3 2 1 e d = F#3 2 1 e d ] measure 31 start-end1 F#3 4 1 q d mheavy2 32 :| stop-end1 start-end2 F#3 6 1 q. d mheavy3 32 |: stop-end2 P C1:] F#3 2 1 e d [ F#3 2 1 e d = F#3 2 1 e d ] measure 33 F#3 2 1 e d [ F#3 2 1 e d = F#3 2 1 e d ] measure 34 f2 6# 5f P C1:Y61 C#4 2 1 e d [ C#4 2 1 e d = C#4 2 1 e d ] measure 35 C#4 2 1 e d [ C#4 2 1 e d = C#4 2 1 e d ] measure 36 f1 6 P C1:Y61 D4 2 1 e d [ D4 2 1 e d = D4 2 1 e d ] measure 37 D4 2 1 e d [ D4 2 1 e d = D4 2 1 e d ] measure 38 f2 6# 5f P C1:Y63 F#3 2 1 e d [ F#3 2 1 e d = F#3 2 1 e d ] measure 39 F#3 2 1 e d [ F#3 2 1 e d = F#3 2 1 e d ] measure 40 f1 6 P C1:Y64 G3 2 1 e d [ G3 2 1 e d = G3 2 1 e d ] measure 41 G3 2 1 e d [ G3 2 1 e d = G3 2 1 e d ] measure 42 f2 7f 5 P C1:Y64 G#3 2 1 e # d [ G#3 2 1 e d = G#3 2 1 e d ] measure 43 G#3 2 1 e # d [ &1 No # on G3 in Roger. Old notation. Sharp carries over bar line. &1 G#3 2 1 e d = G#3 2 1 e d ] measure 44 f1 n P C1:Y64 A3 2 1 e d [ A3 2 1 e d = A3 2 1 e d ] measure 45 f2 6 4# P C1:Y63 G3 2 1 e d [ G3 2 1 e d = G3 2 1 e d ] measure 46 f1 6 P C1:Y63 F#3 2 1 e d [ F#3 2 1 e d = F#3 2 1 e d ] measure 47 f1 # P C1:Y61 B3 2 1 e d [ B3 2 1 e d = f2 4# 2 P C1:Y58 A3 2 1 e d ] measure 48 f1 6 P C1:Y61 G#3 2 1 e # d [ G#3 2 1 e d = G#3 2 1 e d ] measure 49 f1 # P C1:Y62 C#4 2 1 e d [ C#4 2 1 e d = f2 6 5 P C1:Y62 E#3 2 1 e # d ] measure 50 F#3 4 1 q d rest 2 1 e measure 51 f2 6 5 P C1:Y64 D#4 2 1 e # d rest 2 1 e rest 2 1 e measure 52 E4 2 1 e d rest 2 1 e rest 2 1 e measure 53 f2 6 5 P C1:Y64 C#4 2 1 e d rest 2 1 e rest 2 1 e measure 54 D4 2 1 e n d rest 2 1 e rest 2 1 e measure 55 f2 6 5 P C1:Y64 B3 2 1 e d rest 2 1 e rest 2 1 e measure 56 f2 (5#) P C1:Y64 C#4 2 1 e d &1 &1 The "#" on the G4 in the Vn.2 and the figure "#" in the figured bass here seem unexpected, but both are clearly marked in Roger. The figure # was made an EDITORIAL (5 #). &1 rest 2 1 e rest 2 1 e measure 57 f2 6 5 P C1:Y64 A#3 2 1 e # d rest 2 1 e rest 2 1 e measure 58 B3 2 1 e d [ B3 2 1 e d = B3 2 1 e d ] measure 59 B3 2 1 e d [ B3 2 1 e d = B3 2 1 e d ] measure 60 f1 6 P C1:Y64 A3 2 1 e n d [ A3 2 1 e d = A3 2 1 e d ] measure 61 A3 2 1 e d [ A3 2 1 e d = A3 2 1 e d ] measure 62 f1 6 P C1:Y64 G3 2 1 e d [ G3 2 1 e d = G3 2 1 e d ] measure 63 E3 2 1 e d [ E3 2 1 e d = E3 2 1 e d ] measure 64 f1 # P C1:Y64 F#3 4 1 q d rest 2 1 e measure 65 f1 6 P C1:Y64 D4 2 1 e d [ D4 2 1 e d = D4 2 1 e d ] measure 66 E4 2 1 e d [ E4 2 1 e d = E4 2 1 e d ] measure 67 f1 # P C1:Y64 F#4 2 1 e d [ F#4 2 1 e d = F#4 2 1 e d ] measure 68 G4 2 1 e d [ G4 2 1 e d = G4 2 1 e d ] measure 69 f1 6 P C1:Y64 D4 2 1 e d [ D4 2 1 e d = D4 2 1 e d ] measure 70 E4 2 1 e d [ E4 2 1 e d = E4 2 1 e d ] measure 71 f1 # P C1:Y64 F#4 2 1 e d [ F#4 2 1 e d = F#4 2 1 e d ] measure 72 B3 4 1 q d rest 2 1 e measure 73 * G p P C17:Y80 f1 6 P C1:Y60 D4 2 1 e d [ D4 2 1 e d = D4 2 1 e d ] measure 74 E4 2 1 e d [ E4 2 1 e d = E4 2 1 e d ] measure 75 f1 # P C1:Y64 F#4 2 1 e d [ F#4 2 1 e d = F#4 2 1 e d ] measure 76 G4 2 1 e d [ G4 2 1 e d = G4 2 1 e d ] measure 77 f1 6 P C1:Y64 D4 2 1 e d [ D4 2 1 e d = D4 2 1 e d ] measure 78 E4 2 1 e d [ E4 2 1 e d = E4 2 1 e d ] measure 79 f1 # P C1:Y64 F#4 2 1 e d [ F#4 2 1 e d = F#4 2 1 e d ] measure 80 B3 6 1 q. d F &1 &1 Fermata only on Violino 1 in Roger. &1 mheavy2 :| /END