(C) 2004, 2004 Center for Computer Assisted Research in the Humanities. ID: {viv/roger/op1/rv075/stage2/03/04} TIMESTAMP: DEC/10/2005 [md5sum:37c250f26c5d25dbfd08a3a1b3ac8976] 10/26/04 Fran Bennion WK#:01,09 MV#:3 RV 75 / Estienne Roger (No. 363), Amsterdam [facs.] Vivaldi Op.1, No 9 in A Major Movement 3 - Allemanda Basso continuo (Organo) Group memberships: score score: part 4 of 4 &1 The old "+", "x" figured bass notations in Roger were replaced by the easier to read "#" as a figure or an addition to a figure. When "/" & "\" crossed through numbered figures in Roger, we modified the numbers with a "#", "b" or a natural, as was appropriate. &1 Pv4.02 $ Q:4 K:3 T:1/1 C:22 D:Allegro rest 16 1 measure 2 A3 2 1 e u [ A2 2 1 e u = f1 6 C#3 3 1 e. u = D3 1 1 s u ]\ E3 2 1 e u [ E2 2 1 e u ] rest 2 1 e E3 2 1 e d measure 3 f1 7 F#3 2 1 e u [ f1 6 F#2 2 1 e u = f2 6 5 G#2 2 1 e u = G#3 2 1 e u ] A3 2 1 e u [ A2 2 1 e u ] rest 2 1 e A3 2 1 e d measure 4 f1 7 P C1:Y75 B3 2 1 e d [ f1 6n P C1:Y75 B2 2 1 e d = f2 6 5n P C1:Y75 C#3 2 1 e d = C#4 2 1 e d ] D4 2 1 e d [ D3 2 1 e d ] rest 2 1 e f1 5 D#4 2 1 e # d measure 5 E4 2 1 e d [ E3 2 1 e d ] rest 2 1 e f1 6 P C1:Y70 C#3 2 1 e u f1 9 P C1:Y72 D3 2 1 e d [ E3 2 1 e d = f1 6 P C1:Y72 F#3 2 1 e d = f1 6 P C1:Y72 D3 2 1 e d ] measure 6 f1 7 E3 4 1 q d rest 2 1 e f1 6 C#3 2 1 e u f2 6 5 D3 2 1 e u [ B2 2 1 e u = E3 2 1 e u = E2 2 1 e u ] measure 7 A2 4 1 q u rest 4 1 q rest 8 1 h measure 8 rest 4 1 q f1 6 C#4 3 1 e. d [ D#4 1 1 s # d ]\ f2 5 4 E4 2 1 e d [ f1 3 E3 2 1 e d = E4 2 1 e d = E4 2 1 e d ] measure 9 E4 2 1 e d [ f1 6 D#4 2 1 e # d ] rest 2 1 e f1 6 D#4 2 1 e d D#4 2 1 e d [ C#4 2 1 e d = f1 6 C#4 2 1 e d = C#4 2 1 e d ] measure 10 C#4 2 1 e d [ f1 # B3 2 1 e d ] rest 2 1 e f1 6 B3 2 1 e d B3 2 1 e d [ A3 2 1 e d = f1 6 A3 2 1 e d = A3 2 1 e d ] measure 11 f1 6 A3 2 1 e d [ G#3 2 1 e d ] rest 2 1 e f1 6 G#3 2 1 e d f2 6 5 A3 2 1 e d [ F#3 2 1 e d = f1 # P C1:Y76 B3 2 1 e d = B2 2 1 e d ] measure 12 E3 4 1 q d f1 6 D#3 4 1 q # d f1 5 C#3 4 1 q u f1 # B2 4 1 q u measure 13 A2 6 1 q. u A2 2 1 e u f1 # B2 4 1 q u rest 2 1 e f1 6 G#2 2 1 e u measure 14 f2 6 5 A2 4 1 q u f1 # B2 4 1 q u E3 8 1 h d mheavy4 15 :|: P C1:] rest 8 1 h f1 6 C#3 3 1 e. u [ B2 1 1 s u =\ A2 2 1 e u = f1 5 C#3 2 1 e u ] measure 16 D3 4 1 q d rest 4 1 q f1 6 D#3 3 1 e.# u [ C#3 1 1 s u =\ B2 2 1 e u = f1 5 D#3 2 1 e # u ] measure 17 E3 4 1 q d rest 4 1 q f1 6 P C1:Y77 E#3 3 1 e.# d [ D3 1 1 s d =\ C#3 2 1 e d = f1 5 P C1:Y76 E#3 2 1 e # d ] measure 18 F#3 4 1 q d rest 4 1 q B2 6 1 q. u B2 2 1 e u measure 19 f1 # P C1:Y73 C#3 2 1 e d [ C#4 2 1 e d = f1 6 A3 2 1 e d = F#3 2 1 e d ] f1 2 7 f1 6 G#3 6 1 q. d f1 5n G#3 2 1 e d &1 Roger's figure here was 5f. &1 measure 20 A3 6 1 q. d A3 2 1 e d f1 4 7 P C1:Y67 f1 6 P C1:Y67 B#2 6 1 q.# u B#2 2 1 e u measure 21 C#3 4 1 q u rest 2 1 e f1 6 P C1:Y66 C#4 2 1 e d C#4 2 1 e d [ B#3 2 1 e # d ] rest 2 1 e f2 7 # P C1:Y66 B3 2 1 e n d measure 22 f1 6 P C1:Y66 B3 2 1 e d [ A#3 2 1 e d = f1 6 P C1:Y66 A3 2 1 e n d = A3 2 1 e d ] f2 4 2# P C1:Y66 A3 2 1 e d [ &1 &1 Roger had an A3# here, which seems misplaced. There is an A3 in the Vn.1 & that also fits the pattern started by Vn.1 in m.21. &1 G#3 2 1 e d ] rest 2 1 e C#3 2 1 e u measure 23 f2 6# 5 P C1:Y66 F#3 2 1 e u [ D#3 2 1 e # u = f1 # P C1:Y66 G#3 2 1 e u = G#2 2 1 e u ] C#3 6 1 q. u B2 2 1 e u measure 24 f2 6 5 P C1:Y66 A#2 6 1 q. u A#2 2 1 e u f1 n P C1:Y66 B2 6 1 q. u A2 2 1 e n u measure 25 f2 6 5 P C1:Y66 G#2 6 1 q. u G#2 2 1 e u A2 8 1 h u measure 26 f1 2 7 P C1:Y66 f1 6 P C1:Y66 B2 6 1 q. u f1 5 P C1:Y66 B2 2 1 e u f1 # P C1:Y66 C#3 4 1 q u f2 6 5 P C1:Y63 E#3 4 1 q d measure 27 F#3 4 1 q d f2 7 5 P C1:Y64 E#3 2 1 e # d [ P C26:Y-8 f2 5 3 P C1:Y64 F#3 2 1 e d ] f2 5 4 P C1:Y64 C#4 4 1 q d f1 # P C1:Y64 C#3 4 1 q u measure 28 F#3 4 1 q d rest 2 1 e f1 # P C1:Y62 F#3 2 1 e d f1 7 P C1:Y61 G#3 2 1 e u [ f1 6 P C1:Y63 G#2 2 1 e u ] f2 6 5 P C1:Y77 A#2 2 1 e # d [ P C26:y-4 A#3 2 1 e # d ] measure 29 B3 2 1 e d [ B2 2 1 e d ] rest 2 1 e f1 # B3 2 1 e d f1 7 C#4 2 1 e d [ f1 6f C#3 2 1 e d ] f2 6 5 P C1:Y66 D#3 2 1 e # d [ P C26:y-4 D#4 2 1 e # d ] measure 30 E4 2 1 e d [ E3 2 1 e d ] rest 2 1 e E3 2 1 e d f1 7 P C1:Y66 F#3 2 1 e u [ P C26:y-4 f1 6 P C1:Y67 F#2 2 1 e u = f2 6 5 P C1:Y66 G#2 2 1 e u = G#3 2 1 e u ] measure 31 A3 2 1 e d [ A2 2 1 e d ] rest 2 1 e A3 2 1 e d f1 7 P C1:Y74 B3 2 1 e d [ f1 6n P C1:Y74 B2 2 1 e d = f2 6 5n P C1:Y74 C#3 2 1 e d = C#4 2 1 e d ] measure 32 D4 2 1 e d [ D3 2 1 e d ] rest 2 1 e f1 5 D#4 2 1 e # d E4 2 1 e d [ E3 1 1 s d =[ F#3 1 1 s d ]] f1 6 G#3 2 1 e d [ E3 2 1 e d ] measure 33 f1 2 7 f1 6 F#3 4 1 q d B2 4 1 q u f1 7 E3 4 1 q d rest 2 1 e f1 6 C#3 2 1 e u measure 34 f2 6 5 D3 4 1 q d E3 4 1 q d * G p P C17:Y82 A2 2 1 e d [ &1 Roger has "p" here but it might make more musical sense on the next note. &1 A3 1 1 s d =[ G#3 1 1 s d ]] F#3 2 1 e d [ E3 2 1 e d ] measure 35 f1 2 7 f1 6 F#3 4 1 q d B2 4 1 q u f1 7 E3 4 1 q d rest 2 1 e f1 6 C#3 2 1 e u measure 36 f2 7 5 D3 4 1 q d E3 4 1 q d A2 8 1 h u F P C32:Y-6 mheavy2 :| /END