(C) 2004, 2004 Center for Computer Assisted Research in the Humanities. ID: {viv/roger/op1/rv066/stage2/05/02} TIMESTAMP: DEC/10/2005 [md5sum:47174d2cdbca0d906089320daeaf2c63] 10/04/04 Fran Bennion WK#:01,04 MV#:5 RV 66 / Estienne Roger (No. 363), Amsterdam [facs.] Vivaldi Op.1, No 4 in E Major Movement 5 - Giga Violino 2 Group memberships: score score: part 2 of 4 Pv4.02 $ Q:2 K:4 T:12/8 C:4 D:Allegro G#4 1 1 e u measure 1 G#4 3 1 q. u rest 2 1 q B4 1 1 e d B4 3 1 q. d rest 2 1 q E5 1 1 e d measure 2 E5 3 1 q. d C#5 3 1 q. d F#4 3 1 q. u rest 2 1 q F#5 1 1 e d measure 3 B4 2 1 q d E5 1 1 e d D#5 1 1 e d [ E5 1 1 e d = F#5 1 1 e d ] E5 1 1 e d [ B5 1 1 e d = A5 1 1 e d ] G#5 1 1 e d [ A5 1 1 e d = B5 1 1 e d ] measure 4 E5 3 1 q. d rest 2 1 q rest 1 1 e rest 1 1 e E5 1 1 e d [ D#5 1 1 e d ] E5 1 1 e d [ F#5 1 1 e d = G#5 1 1 e d ] measure 5 A5 6 1 h. d rest 1 1 e F#5 1 1 e d [ E5 1 1 e d ] F#5 1 1 e d [ G#5 1 1 e d = A5 1 1 e d ] measure 6 B5 6 1 h. d rest 1 1 e G#5 1 1 e d [ F#5 1 1 e d ] G#5 1 1 e d [ A5 1 1 e d = B5 1 1 e d ] measure 7 C#6 2 1 q d F#5 1 1 e d B5 3- 1 q. d - B5 2 1 q d D#5 1 1 e d D#5 2 1 q d C#5 1 1 e d measure 8 B4 3 1 q. d rest 2 1 q rest 1 1 e rest 1 1 e F#5 1 1 e d [ E5 1 1 e d ] D#5 1 1 e d [ E5 1 1 e d = F#5 1 1 e d ] measure 9 B4 3 1 q. d rest 2 1 q F#5 1 1 e d G#5 2 1 q d ( C#5 1 1 e d ) F#5 2 1 q d ( B4 1 1 e d ) measure 10 C#5 3- 1 q. d - C#5 2 1 q d F#5 1 1 e d D#5 3 1 q. d &1 &1 The D#5 appears as half note & is followed by a quarter rest going back to an 8th note pickup in Roger. Old notation. &1 rest 2 1 q mheavy4 :|: P C1:] E5 1 1 e d measure 11 E5 3 1 q. d rest 2 1 q A5 1 1 e d D#5 3 1 q. d rest 2 1 q G#5 1 1 e d measure 12 D#5 2 1 q d E5 1 1 e d E5 2 1 q d D#5 1 1 e d C#5 1 1 e d [ G#5 1 1 e d = F#5 1 1 e d ] E5 1 1 e d [ F#5 1 1 e d = D#5 1 1 e d ] measure 13 C#5 3 1 q. d rest 2 1 q C#5 1 1 e d F#4 3 1 q. u rest 2 1 q rest 1 1 e measure 14 F#5 3 1 q. d rest 2 1 q F#5 1 1 e d B4 3 1 q. d rest 2 1 q B4 1 1 e d measure 15 C#5 3 1 q. d E5 1 1 e d [ ( D#5 1 1 e d = C#5 1 1 e d ] ) C#5 3 1 q. d A5 1 1 e d [ ( G#5 1 1 e d = F#5 1 1 e d ] ) measure 16 F#5 3 1 q. d rest 2 1 q E5 1 1 e d E5 1 1 e d [ ( D#5 1 1 e d = C#5 1 1 e d ] ) rest 2 1 q F#5 1 1 e d measure 17 F#5 1 1 e d [ ( E5 1 1 e d = D#5 1 1 e d ] ) rest 2 1 q G#5 1 1 e d G#5 1 1 e d [ ( F#5 1 1 e d = E5 1 1 e d ] ) rest 2 1 q A5 1 1 e d measure 18 A5 1 1 e d [ ( G#5 1 1 e d = F#5 1 1 e d ] ) rest 2 1 q B5 1 1 e d B5 1 1 e d [ ( A5 1 1 e d = G#5 1 1 e d ] ) rest 2 1 q E5 1 1 e d measure 19 C#5 3 1 q. d rest 2 1 q C#5 1 1 e d F#4 2 1 q u D#5 1 1 e d E5 2 1 q d F#5 1 1 e d measure 20 D#5 2 1 q d E5 1 1 e d E5 2 1 q d D#5 1 1 e d E5 1 1 e d [ B5 1 1 e d = A5 1 1 e d ] G#5 1 1 e d [ A5 1 1 e d = B5 1 1 e d ] measure 21 E5 3 1 q. d rest 2 1 q rest 1 1 e rest 1 1 e E5 1 1 e d [ D#5 1 1 e d ] E5 1 1 e d [ F#5 1 1 e d = G#5 1 1 e d ] measure 22 A5 6 1 h. d rest 1 1 e F#5 1 1 e d [ E5 1 1 e d ] F#5 1 1 e d [ G#5 1 1 e d = A5 1 1 e d ] measure 23 B5 6 1 h. d rest 1 1 e G#5 1 1 e d [ F#5 1 1 e d ] G#5 1 1 e d [ A5 1 1 e d = B5 1 1 e d ] measure 24 C#6 6 1 h. d rest 1 1 e A5 1 1 e d [ G#5 1 1 e d ] A5 1 1 e d [ B5 1 1 e d = C#6 1 1 e d ] measure 25 rest 1 1 e F#5 1 1 e d [ E5 1 1 e d ] F#5 1 1 e d [ G#5 1 1 e d = A5 1 1 e d ] D#5 2 1 q d G#5 1 1 e d F#5 3 1 q. d measure 26 E5 3 1 q. d rest 2 1 q rest 1 1 e rest 1 1 e B4 1 1 e u [ A4 1 1 e u ] G#4 1 1 e u [ A4 1 1 e u = B4 1 1 e u ] measure 27 E4 3 1 q. u rest 2 1 q B4 1 1 e d C#5 2 1 q d F#4 1 1 e u B4 2 1 q d ( E4 1 1 e u ) measure 28 start-end1 F#4 3- 1 q. u - F#4 2 1 q u B4 1 1 e d G#4 3 1 q. u &1 rest 2 q &1 In Roger the last measure of the movement had a full compliment of notes but there was a repeat sign going back to an 8th note pickup. So a 1st ending was added & adjusted for the missing 8th pickup and the last measure of Roger became the 2nd ending. &1 mheavy2 29 :| stop-end1 start-end2 F#4 3- 1 q. u - F#4 2 1 q u B4 1 1 e d G#4 6 1 h. u mheavy2 stop-end2 /END