(C) 2004, 2004 Center for Computer Assisted Research in the Humanities. ID: {viv/roger/op1/rv066/stage2/05/01} TIMESTAMP: DEC/10/2005 [md5sum:8f3bb9a8ce032732e07796bba37ca7e7] 10/04/04 Fran Bennion WK#:01,04 MV#:5 RV 66 / Estienne Roger (No. 363), Amsterdam [facs.] Vivaldi Op.1, No 4 in E Major Movement 5 - Giga Violino 1 Group memberships: score score: part 1 of 4 Pv4.02 $ Q:4 K:4 T:12/8 C:4 D:Allegro E5 2 1 e d measure 1 E5 4 1 q d B4 2 1 e d B4 4 1 q d G#5 2 1 e d G#5 4 1 q d E5 2 1 e d E5 4 1 q d B5 2 1 e d measure 2 B5 2 1 e d [ A5 2 1 e d = G#5 2 1 e d ] F#5 2 1 e d [ G#5 2 1 e d = E5 2 1 e d ] D#5 2 1 e d [ C#5 2 1 e d = D#5 2 1 e d ] B4 2 1 e d [ C#5 2 1 e d = D#5 2 1 e d ] measure 3 E5 4 1 q d G#4 2 1 e u B3 4 1 q u D#5 2 1 e d E4 6 1 q. u rest 4 1 q rest 2 1 e measure 4 rest 2 1 e E5 2 1 e d [ D#5 2 1 e d ] E5 2 1 e d [ F#5 2 1 e d = G#5 2 1 e d ] C#5 12 1 h. d measure 5 rest 2 1 e F#5 2 1 e d [ E5 2 1 e d ] F#5 2 1 e d [ G#5 2 1 e d = A5 2 1 e d ] D#5 12 1 h. d measure 6 rest 2 1 e G#5 2 1 e d [ F#5 2 1 e d ] G#5 2 1 e d [ A5 2 1 e d = B5 2 1 e d ] E5 12 1 h. d measure 7 rest 2 1 e E5 2 1 e d [ D#5 2 1 e d ] E5 2 1 e d [ D#5 2 1 e d = C#5 2 1 e d ] F#5 4 1 q d B4 2 1 e d B4 4 1 q d A#4 2 1 e # u measure 8 B4 2 1 e d [ F#5 2 1 e d = E5 2 1 e d ] D#5 2 1 e d [ E5 2 1 e d = F#5 2 1 e d ] B4 6 1 q. d rest 2 1 e rest 2 1 e F#5 2 1 e d measure 9 G#5 4 1 q d ( C#5 2 1 e d ) F#5 4 1 q d ( B4 2 1 e d ) E5 4 1 q d ( A#4 2 1 e # u ) B4 6- 1 q. d - measure 10 B4 3 1 e. d [ C#5 1 1 s d =\ B4 2 1 e d ] F#4 4 1 q u A#4 2 1 e # u B3 6 1 q. u &1 &1 The B3 appears as half note & is followed by a quarter rest going back to an 8th note pickup in Roger. Old notation. &1 rest 4 1 q mheavy4 :|: P C1:] G#5 2 1 e d measure 11 G#5 2 1 e d [ F#5 2 1 e d = E5 2 1 e d ] D#5 2 1 e d [ E5 2 1 e d = C#5 2 1 e d ] B#4 2 1 e # u [ G#4 2 1 e u = B#4 2 1 e u ] C#5 2 1 e u [ E4 2 1 e u = C#5 2 1 e u ] measure 12 F#4 2 1 e u [ B#4 2 1 e # u = C#5 2 1 e u ] G#4 4 1 q u B#4 2 1 e # d C#5 6 1 q. d rest 2 1 e rest 2 1 e F#5 2 1 e d measure 13 F#5 2 1 e d [ C#5 2 1 e d = A#4 2 1 e # d ] F#4 2 1 e d [ F#5 2 1 e d = E5 2 1 e d ] D#5 2 1 e d [ E5 2 1 e d = F#5 2 1 e d ] B4 4 1 q d B5 2 1 e d measure 14 B5 2 1 e d [ F#5 2 1 e d = D#5 2 1 e d ] B4 2 1 e d [ B5 2 1 e d = A5 2 1 e d ] G#5 2 1 e d [ A5 2 1 e d = B5 2 1 e d ] E5 4 1 q d E5 2 1 e d measure 15 E5 2 1 e d [ ( D#5 2 1 e d = C#5 2 1 e d ] ) C#5 2 1 e d [ ( B4 2 1 e d = A4 2 1 e d ] ) A5 2 1 e d [ ( G#5 2 1 e d = F#5 2 1 e d ] ) F#5 2 1 e d [ ( E5 2 1 e d = D#5 2 1 e d ] ) measure 16 D#5 2 1 e d [ ( C#5 2 1 e d = D#5 2 1 e d ] ) B4 4 1 q d B4 2 1 e d C#5 2 1 e d [ ( B4 2 1 e d = A4 2 1 e d ] ) C#5 2 1 e d [ ( B4 2 1 e d = C#5 2 1 e d ] ) measure 17 D#5 2 1 e d [ ( C#5 2 1 e d = B4 2 1 e d ] ) D#5 2 1 e d [ ( C#5 2 1 e d = D#5 2 1 e d ] ) E5 2 1 e d [ ( D#5 2 1 e d = C#5 2 1 e d ] ) E5 2 1 e d [ ( D#5 2 1 e d = E5 2 1 e d ] ) measure 18 F#5 2 1 e d [ ( E5 2 1 e d = D#5 2 1 e d ] ) F#5 2 1 e d [ ( E5 2 1 e d = F#5 2 1 e d ] ) G#5 2 1 e d [ ( F#5 2 1 e d = E5 2 1 e d ] ) G#5 2 1 e d [ ( F#5 2 1 e d = G#5 2 1 e d ] ) measure 19 A5 2 1 e d [ ( G#5 2 1 e d = F#5 2 1 e d ] ) B5 4 1 q d E5 2 1 e d D#5 2 1 e d [ ( C#5 2 1 e d = B4 2 1 e d ] ) A5 6- 1 q. d - measure 20 A5 2 1 e d [ B5 2 1 e d = G#5 2 1 e d ] G#5 4 1 q d F#5 2 1 e d E5 6 1 q. d rest 4 1 q rest 2 1 e measure 21 rest 2 1 e E5 2 1 e d [ D#5 2 1 e d ] E5 2 1 e d [ F#5 2 1 e d = G#5 2 1 e d ] C#5 12 1 h. d measure 22 rest 2 1 e F#5 2 1 e d [ E5 2 1 e d ] F#5 2 1 e d [ G#5 2 1 e d = A5 2 1 e d ] D#5 12 1 h. d measure 23 rest 2 1 e G#5 2 1 e d [ F#5 2 1 e d ] G#5 2 1 e d [ A5 2 1 e d = B5 2 1 e d ] E5 12 1 h. d measure 24 rest 2 1 e A5 2 1 e d [ G#5 2 1 e d ] A5 2 1 e d [ B5 2 1 e d = C#6 2 1 e d ] rest 2 1 e F#5 2 1 e d [ E5 2 1 e d ] F#5 2 1 e d [ G#5 2 1 e d = A5 2 1 e d ] measure 25 rest 2 1 e D#5 2 1 e d [ C#5 2 1 e d ] D#5 2 1 e d [ E5 2 1 e d = F#5 2 1 e d ] B4 4 1 q d E5 2 1 e d E5 4 1 q d D#5 2 1 e d measure 26 E5 2 1 e d [ B4 2 1 e d = A4 2 1 e d ] G#4 2 1 e u [ A4 2 1 e u = B4 2 1 e u ] E4 6 1 q. u rest 2 1 e rest 2 1 e B4 2 1 e d measure 27 C#5 4 1 q d ( F#4 2 1 e u ) B4 4 1 q d ( E4 2 1 e u ) A4 4 1 q u ( D#4 2 1 e u ) E4 6- 1 q. u - measure 28 start-end1 E4 3 1 e. u [ F#4 1 1 s u =\ E4 2 1 e u ] B3 4 1 q u D#4 2 1 e u E4 6 1 q. u &1 rest 4 q u &1 In Roger the last measure of the movement had a full compliment of notes but there was a repeat sign going back to an 8th note pickup. So a 1st ending was adjusted for the missing 8th pickup and the last measure of Roger became the 2nd ending. &1 mheavy2 29 :| stop-end1 start-end2 E4 3 1 e. u [ F#4 1 1 s u =\ E4 2 1 e u ] B3 4 1 q u D#4 2 1 e u E4 12 1 h. u mheavy2 stop-end2 /END