(C) 2004, 2004 Center for Computer Assisted Research in the Humanities. ID: {viv/roger/op1/rv065/stage2ef/04/01} TIMESTAMP: DEC/10/2005 [md5sum:9c0902fb3f7a182170aae52f1ef267f9] 10/22/04 Fran Bennion WK#:01,07 MV#:4 RV 65 / Estienne Roger (No. 363), Amsterdam [facs.] Vivaldi Op.1, No 7 in Eb Major Movement 4 - Giga Violino 1 Group memberships: score score: part 1 of 4 &1 Sonata VII is in Eb Major but Roger has notated it in 2 flats. These files are in 3 flats (reflecting modern practice) and here in Mvt. 04 the parts have been entered as they appeared in the Roger facsimile - Vn.1 in 12/8 and the other parts in "C". An alternative version with meters regularized and all parts in 12/8 is in Mvt. 128. &1 Pv4.02 $ Q:2 K:-3 T:12/8 C:4 D:Presto rest 1 1 e rest 1 1 e Ef5 1 1 e d mheavy3 |: &1 No repeat sign here in Roger implying that from m.6 one went back to the beginning. Rhythmically inaccurate but the initial 8th rests were probably assumed to be ignored. &1 Ef5 1 1 e d [ ( F5 1 1 e d = ) G5 1 1 e d ] F5 1 1 e d [ ( D5 1 1 e d = ) C5 1 1 e d ] Bf4 1 1 e d [ ( Bf5 1 1 e d = ) Af5 1 1 e d ] measure 2 G5 1 1 e d [ ( F5 1 1 e d = ) Ef5 1 1 e d ] Bf4 1 1 e d [ ( Ef5 1 1 e d = ) Bf4 1 1 e d ] C5 1 1 e d [ ( D5 1 1 e d = ) Ef5 1 1 e d ] F4 1 1 e u [ ( Ef4 1 1 e u = ) D4 1 1 e u ] measure 3 Ef4 3 1 q. u G5 1 1 e d [ Ef5 1 1 e d = G5 1 1 e d ] F5 1 1 e d [ D5 1 1 e d = Bf4 1 1 e d ] Ef5 1 1 e d [ C5 1 1 e d = Ef5 1 1 e d ] measure 4 D5 1 1 e d [ C5 1 1 e d = Bf4 1 1 e d ] F5 1 1 e d [ D5 1 1 e d = Bf4 1 1 e d ] G5 1 1 e d [ Ef5 1 1 e d = C5 1 1 e d ] A5 1 1 e d [ F5 1 1 e d = C5 1 1 e d ] measure 5 Bf5 1 1 e d [ D5 1 1 e d = Bf4 1 1 e d ] F5 1 1 e d [ D5 1 1 e d = Bf4 1 1 e d ] G5 1 1 e d [ A5 1 1 e d = Bf5 1 1 e d ] C5 1 1 e d [ Bf4 1 1 e d = A4 1 1 e d ] measure 6 Bf4 2 1 q d Ef5 1 1 e d mheavy4 :|: &1 Roger has the repeat sign after the Bf4. Repositioned for rhythmic accuracy and compatability between parts. &1 Ef5 1 1 e d [ F5 1 1 e d = G5 1 1 e d ] Af5 1 1 e d [ F5 1 1 e d = Ef5 1 1 e d ] D5 1 1 e d [ Ef5 1 1 e d = C5 1 1 e d ] measure 7 B4 1 1 e n u [ A4 1 1 e u = G4 1 1 e u ] G5 1 1 e d [ F5 1 1 e d = Ef5 1 1 e d ] Af5 1 1 e d [ F5 1 1 e d = Ef5 1 1 e d ] D5 1 1 e d [ C5 1 1 e d = D5 1 1 e d ] measure 8 C5 3 1 q. d C5 1 1 e d [ D5 1 1 e d = Ef5 1 1 e d ] F4 1 1 e u [ A4 1 1 e n u = C5 1 1 e u ] F5 1 1 e d [ C5 1 1 e d = F5 1 1 e d ] measure 9 D5 1 1 e d [ C5 1 1 e d = Bf4 1 1 e d ] Bf4 1 1 e d [ C5 1 1 e d = D5 1 1 e d ] Ef5 1 1 e d [ Bf4 1 1 e d = Ef5 1 1 e d ] Ef5 1 1 e d [ Bf4 1 1 e d = Ef5 1 1 e d ] measure 10 C5 1 1 e d [ Ef5 1 1 e d = D5 1 1 e d ] C5 1 1 e d [ D5 1 1 e d = Ef5 1 1 e d ] F5 1 1 e d [ C5 1 1 e d = F5 1 1 e d ] F5 1 1 e d [ C5 1 1 e d = F5 1 1 e d ] measure 11 D5 1 1 e d [ F5 1 1 e d = Ef5 1 1 e d ] D5 1 1 e d [ Ef5 1 1 e d = F5 1 1 e d ] G5 1 1 e d [ D5 1 1 e d = G5 1 1 e d ] G5 1 1 e d [ D5 1 1 e d = G5 1 1 e d ] measure 12 Ef5 1 1 e d [ G5 1 1 e d = F5 1 1 e d ] Ef5 1 1 e d [ F5 1 1 e d = G5 1 1 e d ] Af5 1 1 e d [ G5 1 1 e d = Af5 1 1 e d ] F5 1 1 e d [ Ef5 1 1 e d = F5 1 1 e d ] measure 13 D5 1 1 e d [ C5 1 1 e d = Bf4 1 1 e d ] Bf4 1 1 e u [ G4 1 1 e u = Ef4 1 1 e u ] C5 1 1 e u [ Af4 1 1 e u = F4 1 1 e u ] D5 1 1 e u [ Bf4 1 1 e u = F4 1 1 e u ] measure 14 Ef5 1 1 e u [ G4 1 1 e u = Ef4 1 1 e u ] Bf4 1 1 e u [ G4 1 1 e u = Ef4 1 1 e u ] C5 1 1 e d [ D5 1 1 e d = Ef5 1 1 e d ] F4 1 1 e u [ Ef4 1 1 e u = D4 1 1 e u ] measure 15 Ef4 3 1 q. u * G p P C17:Y60 Bf4 1 1 e u [ G4 1 1 e u = Ef4 1 1 e u ] C5 1 1 e u [ Af4 1 1 e u = F4 1 1 e u ] D5 1 1 e u [ Bf4 1 1 e u = F4 1 1 e u ] measure 16 Ef5 1 1 e u [ G4 1 1 e u = Ef4 1 1 e u ] Bf4 1 1 e u [ G4 1 1 e u = Ef4 1 1 e u ] C5 1 1 e d [ D5 1 1 e d = Ef5 1 1 e d ] F4 1 1 e u [ Ef4 1 1 e u = D4 1 1 e u ] measure 17 start-end1 &1 Repeat signs repositioned and 1st & 2nd endings added to the Roger ed. for rhythmic accuracy and compatability between parts in this edition. &1 Ef4 2 1 q u Ef5 1 1 e d mheavy2 stop-end1 :| start-end2 Ef4 3 1 q. u irest 6 mheavy2 stop-end2 /END