(C) 2000, 2002 Center for Computer Assisted Research in the Humanities. ID: {vivaldi/lecene/op10/05/stage2/02/04} [KHM:3137277763] TIMESTAMP: DEC/26/2001 [md5sum:a3ef4223f67486101fd54d7b40916f8a] 06/26/00 Fran Bennion WK#:10,5 MV#:2 RV 434 / Le Cene 544, Amsterdam [c.1728] Viola 0 0 Group memberships: sound score sound: part 4 of 6 score: part 4 of 5 $ K:-2 Q:2 T:12/8 C:13 D:Largo Cantabile rest 1 e measure 1 Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e measure 2 Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e G4 2 q d rest 1 e E4 2 7 n d &1 @1 No natural sign in Le Cene. An oversight? E4 makes more harmonic sense. rest 1 e measure 3 A3 2 7 u &1 @1 Le Cene has Bf3 but in an identical passage at m.28-9 an A3. rest 1 e A4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e measure 4 Ef4 2 q d rest 1 e E4 2 q n d rest 1 e A3 2 q u rest 1 e Bf4 2 q d rest 1 e measure 5 A4 2 q d rest 1 e F#4 2 q # d rest 1 e D4 2 q d Ef4 1 e f d + D4 2 q d D4 1 e d measure 6 Bf3 3 q. u F &1 &1 Fermata is only in track 1 in Le Cene but feel it is appropriate. The fermata on the hold after the last note only in track 2 in Le Cene seems questionable. &1 rest 2 q G4 1 e d G4 3 q. d G4 3 q. d measure 7 G4 2 q d rest 1 e G4 2 q d rest 1 e G4 2 q d rest 1 e G4 2 q d rest 1 e measure 8 Ef4 2 q d rest 1 e C4 2 q d rest 1 e D4 2 q d rest 1 e Bf3 2 q u rest 1 e measure 9 Bf3 2 q u Bf3 1 e u Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e measure 10 Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e measure 11 Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e measure 12 F4 2 q d rest 1 e F4 2 q d rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e measure 13 B3 2 q n u rest 1 e B3 2 q u rest 1 e B3 2 q u rest 1 e B3 2 q u rest 1 e measure 14 B3 2 q n u rest 1 e B3 2 q u rest 1 e C4 2 q d rest 1 e C4 2 q d rest 1 e measure 15 C#4 2 q # d rest 1 e C#4 2 q d rest 1 e C#4 2 q d rest 1 e C#4 2 q d rest 1 e measure 16 C#4 2 q # d rest 1 e C#4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e measure 17 D4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e measure 18 D4 1 e d [ D5 1 e d = C5 1 e d ] Bf4 1 e d [ A4 1 e d = G4 1 e d ] D4 6- h. d - measure 19 D4 1 e d [ D5 1 e d = C5 1 e d ] Bf4 1 e d [ A4 1 e d = G4 1 e d ] D4 6- h. d - measure 20 D4 1 e d [ D5 1 e d = C5 1 e d ] Bf4 1 e d [ A4 1 e d = G4 1 e d ] D4 2 q d rest 1 e D4 2 q d rest 1 e measure 21 G4 2 q d rest 1 e G4 2 q d rest 1 e C4 2 q d rest 1 e C4 2 q d rest 1 e measure 22 D4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e measure 23 G4 2 q d rest 1 e G4 2 q d rest 1 e C4 2 q d rest 1 e D4 2 q d rest 1 e measure 24 Ef4 2 q d rest 1 e Ef4 2 q d rest 1 e C4 2 q d rest 1 e C#4 2 q # d rest 1 e measure 25 D4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e measure 26 D4 2 q d rest 1 e D4 2 q d rest 1 e G3 3 q. u rest 1 e rest 1 e Bf3 1 e u measure 27 Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e measure 28 Bf3 2 q u rest 1 e Bf3 2 q u rest 1 e G4 2 q d rest 1 e E4 2 7 n d &1 @1 No natural sign in Le Cene. An oversight? E4 makes more harmonic sense. rest 1 e measure 29 A3 2 q u rest 1 e A4 2 q d rest 1 e D4 2 q d rest 1 e D4 2 q d rest 1 e measure 30 Ef4 2 q d rest 1 e E4 2 q n d rest 1 e A3 2 q u rest 1 e Bf4 2 q d rest 1 e measure 31 A4 2 q d rest 1 e F#4 2 7 d &1 @1 F4 is missing a # in Le Cene. F# in meas. 5. Makes more harmonic sense. rest 1 e D4 2 q d Ef4 1 e d D4 2 q d D4 1 e d measure 32 Bf3 6 h. u rest 6 h. mheavy2 /END