(C) 1996, 2007 Center for Computer Assisted Research in the Humanities. ID: {haydn/dov/sym/s-102/stage2/02/07} TIMESTAMP: MAY/19/2010 [md5sum:2d8cea53c07e110befadcf81f6e3fa88] 05/13/96 Fran Bennion WK#:102 MV#:2 Dover Publications reprint of 1880 Eulenberg Edition Haydn Symphony No. 102 in B-flat Major Second Movement Corno 2 in F 0 0 Group memberships: sound sound: part 7 of 15 & Meas. 57-end has horns playing C2 & C3 in bass clef. C2 is below the fundamental of the F horn so I assume the horns are transposing up rather than down in these measures (old notation). Therefore X was changed to +17 at measure 57. & $ K:0 Q:6 T:3/4 C:4 X:-23 D:Adagio * D + con sordino P C17:Y-12x-17 rest 18 measure 2 rest 18 measure 3 rest 18 measure 4 rest 18 measure 5 rest 18 measure 6 rest 18 measure 7 rest 18 measure 8 rest 18 measure 9 rest 18 measure 10 rest 18 measure 11 rest 18 measure 12 rest 18 measure 13 rest 18 measure 14 rest 18 measure 15 rest 18 measure 16 rest 18 measure 17 E4 12 h u p P C33:Y62 C4 6 q u Z P C33:Y76 measure 18 G4 12 h u [p P C33:Y59 C5 6 q d ] measure 19 rest 6 q E4 6 q u [ G4 6 q u ] measure 20 G4 6 q u [ C5 3 e d ] C4 3 e u [ [. C4 3 e u = . C4 3 e u ] ]. measure 21 C4 6 q u rest 6 q rest 6 q measure 22 D5 6 q d p P C33:Y60 C5 6 q d rest 6 q measure 23 G4 12 h u [Z P C33:Y67 C5 6 q d ] measure 24 C5 6 q d [p &1 P C33:Y64 G4 3 e u ] rest 3 e G3 1 s 6 u [[ * P C0:t2 G3 1 s 6 u == G3 1 s 6 u == G3 1 s 6 u == G3 1 s 6 u == G3 1 s 6 u ]] ! measure 25 G3 6 q u rest 6 q rest 6 q measure 26 rest 18 measure 27 * EG 15 f P C17:Y65 C18:Y65 D5 18 h. d [ * F 0 P C17:x-40 measure 28 C5 6 q d ]p P C33:Y64 rest 6 q rest 6 q measure 29 G4 3 e u [ f P C33:Y62 C5 3 e u ] D5 12 h d measure 30 G4 6 q u p P C33:Y57 rest 6 q rest 6 q measure 31 G3 18- h. u -pp P C34:Y98x40 measure 32 G3 6- q u - G3 3 e u rest 3 e rest 6 q measure 33 rest 18 measure 34 rest 18 measure 35 rest 18 measure 36 rest 18 measure 37 rest 18 measure 38 rest 18 measure 39 rest 18 measure 40 rest 18 measure 41 rest 18 measure 42 rest 6 q rest 6 q G4 1 s 6 u [[ f* P C33:Y62 C0:t2 G4 1 s 6 u == G4 1 s 6 u == G4 1 s 6 u == G4 1 s 6 u == G4 1 s 6 u ]] ! measure 43 G4 3 e u rest 3 e rest 6 q rest 6 q measure 44 rest 18 measure 45 E4 12 h u p P C33:Y62 C4 6 q u Z P C33:Y76 measure 46 G4 12 h u [p P C33:Y57 C5 6 q d ] measure 47 rest 6 q E4 6 q u [ G4 6 q u ] measure 48 G4 6 q u [ C5 3 e d ] rest 3 e rest 6 q measure 49 * E 0 P C17:Y68 C5 12 h d * F 15 G4 6 q u measure 50 * EG 15 sf P C17:Y68 C18:Y68 C5 6 q d [ D5 6 q d ] * FG 0 p P C18:Y68 D5 6 q d measure 51 G4 12 h u [ C5 6 q d ] measure 52 rest 6 q G4 6 q u [ C5 6 q d ] measure 53 rest 6 q C5 6 q d [ G4 6 q u ] measure 54 C4 1 s 6 u [[ f* P C33:Y76 C0:t2 C4 1 s 6 u == C4 1 s 6 u == C4 1 s 6 u == C4 1 s 6 u == C4 1 s 6 u ]] ! C4 3 e u rest 3 e rest 6 q measure 55 C4 18 h. u f P C33:Y79 measure 56 C4 6 q u rest 6 q rest 6 q $ C:22 X:17 measure 57 C2 18- h. u -p P C34:Y87 measure 58 C2 18- h. u - measure 59 * C sempre pi\u8 piano P C25:f33 C17:x30Y94 C2 3 e u rest 3 e rest 6 q rest 6 q measure 60 C3 18 h. u ppF P C33:Y57 mheavy2 /END