(C) 1996, 2007 Center for Computer Assisted Research in the Humanities. ID: {haydn/dov/sym/s-102/stage2/02/06} TIMESTAMP: MAY/19/2010 [md5sum:d821a683026a56275f8664b339bd0c13] 05/13/96 Fran Bennion WK#:102 MV#:2 Dover Publications reprint of 1880 Eulenberg Edition Haydn Symphony No. 102 in B-flat Major Second Movement Corno 1 in F 0 0 Group memberships: sound sound: part 6 of 15 & Meas. 57-end has horns playing C2 & C3 in bass clef. C2 is below the fundamental of the F horn so I assume the horns are transposing up rather than down in these measures (old notation). Therefore X was changed to +17 at measure 57. & $ K:0 Q:6 T:3/4 C:4 X:-23 D:Adagio * D + con sordino P C17:Y-12x-17 rest 18 measure 2 rest 18 measure 3 rest 18 measure 4 rest 18 measure 5 rest 18 measure 6 rest 18 measure 7 rest 18 measure 8 rest 18 measure 9 rest 18 measure 10 rest 18 measure 11 rest 18 measure 12 rest 18 measure 13 rest 18 measure 14 rest 18 measure 15 rest 18 measure 16 rest 18 measure 17 C5 12 h d p P C33:Y64 C5 6 q d Z P C33:Y65 measure 18 D5 12 h d (p P C33:Y60 E5 6 q d ) measure 19 rest 6 q C5 6 q d ( D5 6 q d ) measure 20 D5 6 q d ( E5 3 e d ) C5 3 e d [ (. C5 3 e d = . C5 3 e d ] ). measure 21 C5 6 q d rest 6 q rest 6 q measure 22 D5 6 q d p P C33:Y60 E5 6 q d rest 6 q measure 23 D5 12 h d (Z P C33:Y61 E5 6 q d ) measure 24 E5 6 q d (p &1 P C33:Y60 D5 3 e d ) rest 3 e G4 1 s 6 u [[ * P C0:t2 G4 1 s 6 u == G4 1 s 6 u == G4 1 s 6 u == G4 1 s 6 u == G4 1 s 6 u ]] ! measure 25 G4 6 q u rest 6 q rest 6 q measure 26 rest 18 measure 27 * EG 15 f P C17:Y65 C18:Y65 D5 18 h. d ( * F 0 P C17:x-40 measure 28 C5 6 q d )p P C33:Y64 rest 6 q rest 6 q measure 29 D5 3 e d [ f P C33:Y68 E5 3 e d ] D5 12 h d measure 30 D5 6 q d p P C33:Y60 rest 6 q rest 6 q measure 31 G4 18- h. u -pp P C33:Y64x40 measure 32 G4 6- q u - G4 3 e u rest 3 e rest 6 q measure 33 rest 18 measure 34 rest 18 measure 35 rest 18 measure 36 rest 18 measure 37 rest 18 measure 38 rest 18 measure 39 rest 18 measure 40 rest 18 measure 41 rest 18 measure 42 rest 6 q rest 6 q D5 1 s 6 d [[ *f P C34:Y71 D5 1 s 6 d == D5 1 s 6 d == D5 1 s 6 d == D5 1 s 6 d == D5 1 s 6 d ]] ! measure 43 D5 3 e d rest 3 e rest 6 q rest 6 q measure 44 rest 18 measure 45 C5 12 h d p P C33:Y64 C5 6 q d Z P C33:Y65 measure 46 D5 12 h d (p P C33:Y60 E5 6 q d ) measure 47 rest 6 q C5 6 q d ( D5 6 q d ) measure 48 D5 6 q d ( E5 3 e d ) rest 3 e rest 6 q measure 49 * E 0 P C17:Y68 C5 12 h d * F 15 G4 6 q u measure 50 * EG 15 sf P C17:Y68 C18:Y68 C5 6 q d ( D5 6 q d ) * FG 0 p P C18:Y68 D5 6 q d measure 51 D5 12 h d ( E5 6 q d ) measure 52 rest 6 q D5 6 q d ( E5 6 q d ) measure 53 rest 6 q E5 6 q d ( D5 6 q d ) measure 54 C5 1 s 6 d [[ *f P C34:Y74 C5 1 s 6 d == C5 1 s 6 d == C5 1 s 6 d == C5 1 s 6 d == C5 1 s 6 d ]] ! C5 3 e d rest 3 e rest 6 q measure 55 C5 18 h. d f P C33:Y61 measure 56 C5 6 q d rest 6 q rest 6 q $ C:22 X:17 measure 57 C3 18- h. u p- P C33:Y57 measure 58 C3 18- h. u - measure 59 * C sempre pi\u8 piano P C25:f33 C17:x30Y67 C3 3 e u rest 3 e rest 6 q rest 6 q measure 60 C3 18 h. u ppF P C33:Y57 mheavy2 /END