(C) 2000, 2002 Center for Computer Assisted Research in the Humanities. ID: {han/arnold/semele/stage2/78/p07} [KHM:115119890] TIMESTAMP: NOV/27/2005 [md5sum:3a8c470587f01fa7c85bbfe43a7ca50c] 04/06/00 Fran Bennion WK#:58 MV#:78 Arnold [c.1786], rev. NMcG, ESF Chorus Tutti Bassi 0 0 Group memberships: parts parts: part 7 of 7 & In Arnold, the rhythm in the third beat of measures 3, 8, & 9 is a dotted eighth and a sixteenth. In measure 3 in the Autograph & Chrysander it is two eighths, and that is what was entered here. In measures 8 & 9 Chrysander has two eighths and the Autograph has a dotted rhythm in most of the upper parts and undotted in the lower parts. I've entered dotted rhythms in meas. 8 & 9 as in Arnold. This movement (in f-) was notated in 3 flats in Arnold, Autog. & Chry. & $ K:-4 Q:4 T:3/4 C:22 D:A tempo ordinario F3 4 q d measure 1 C4 4 q d C4 4 q d rest 4 q measure 2 rest 4 q rest 4 q C4 4 q d measure 3 A3 4 q n d A3 4 q d A3 2 e d [ A3 2 e d ] measure 4 Bf3 3 e. d [ Bf3 1 s d ]\ Bf3 4 q d rest 4 q measure 5 rest 4 q rest 4 q Bf2 4 q u measure 6 F3 4 q d F3 4 q d rest 2 e F3 2 e d measure 7 Df4 4 q f d Df4 4 q d Df4 3 e. d [ Df4 1 s d ]\ measure 8 C4 3 e. d [ C3 1 s d ]\ C3 4 q u Af3 3 e. d [ F3 1 s d ]\ measure 9 C4 3 e. d [ C3 1 s d ]\ C3 4 q u Af3 3 e. d [ F3 1 s d ]\ measure 10 C4 3 e. d [ C3 1 s d ]\ C3 4 q u rest 4 q measure 11 rest 12 F mdouble 12 $ D:Larghetto rest 12 measure 13 rest 12 measure 14 rest 2 e F3 2 e d [ Af3 2 e d = G3 2 e d = Af3 2 e d = Bf3 2 e d ] measure 15 C4 2 e d [ C3 2 e d = G3 2 e d = F3 2 e d = G3 2 e d = A3 2 e n d ] measure 16 Bf3 2 e d [ Bf2 2 e d = F3 2 e d = Ef3 2 e d = F3 2 e d = G3 2 e d ] measure 17 Af3 2 e f d [ + C3 2 e d = D3 2 e d = C3 2 e d = D3 2 e d = E3 2 e n d ] measure 18 F3 2 e d [ Bf2 2 e d ] C3 4 q u C2 4 q u measure 19 F2 4 q u F3 4 q d rest 2 e C3 2 e u measure 20 F3 8 h d rest 2 e G3 2 e d measure 21 Af3 6 q. d Af3 2 e d [ G3 2 e d = F3 2 e d ] measure 22 C3 8 h u rest 4 q measure 23 rest 2 e Af3 2 e d G3 4 q d F3 4 q d measure 24 C4 8 h d rest 4 q measure 25 rest 2 e C3 2 e d [ D3 2 e d = C3 2 e d = D3 2 e d = E3 2 e n d ] measure 26 F3 6 q. d C3 2 e d [ F3 2 e d = G3 2 e d ] measure 27 A3 6 q.n d Bf3 2 e d [ A3 2 e d = G3 2 e d ] measure 28 F3 4 q d F3 4 q d F3 2 e d [ G3 2 e d ] measure 29 A3 2 e n d [ F3 2 e d = A3 2 e d = G3 2 e d = A3 2 e d = Bf3 2 e d ] measure 30 C4 2 e d [ Bf3 1 s d =[ A3 1 s n d ]] G3 2 e d [ F3 2 e d = G3 2 e d = A3 2 e d ] measure 31 Bf3 2 e d [ Ef3 2 e d = F3 2 e d = Ef3 2 e d = F3 2 e d = F2 2 e d ] measure 32 Bf2 4 q u rest 4 q rest 2 e F3 2 e d measure 33 Bf3 4 q d rest 4 q rest 2 e F3 2 e d measure 34 Bf3 4 q d Bf2 4 q u rest 4 q measure 35 rest 12 measure 36 rest 2 e F3 2 e d [ Af3 2 e f d = + G3 2 e d = Af3 2 e d = Bf3 2 e d ] measure 37 C4 4 q d G3 4 q d C4 4 q d measure 38 B3 4 q n d Bf3 8 h f d measure 39 A3 4 q n d Af3 8 h f d measure 40 G3 2 e d [ F3 2 e d ] G3 4 q d G2 4 q u measure 41 C3 8 h u rest 4 q measure 42 rest 4 q rest 2 e C4 2 e d [ C4 2 e d = C4 2 e d ] measure 43 F3 4 q d rest 2 e F3 2 e d G3 4 q d measure 44 Af3 2 e d [ Df3 2 e f d ] Ef3 4 q d Ef2 4 q u measure 45 Af2 4 q u rest 4 q rest 4 q measure 46 rest 2 e Ef3 2 e d [ F3 2 e d = Ef3 2 e d = F3 2 e d = G3 2 e d ] measure 47 Af3 2 e d [ Af3 2 e d ] Df4 6 q.f d Df4 2 e d measure 48 C4 2 e d [ C4 2 e d ] Bf3 6 q. d Bf3 2 e d measure 49 Af3 6 q. d G3 2 e d F3 4 q d measure 50 Ef3 2 e d [ Df3 2 e f d ] Ef3 4 q d Ef2 4 q u measure 51 Af2 4 q u rest 4 q Af2 4 q u measure 52 Ef3 4 q d rest 2 e Ef3 2 e d [ Ef3 2 e d = Ef3 2 e d ] measure 53 Bf3 4 q d rest 4 q Bf2 4 q u measure 54 F3 6 q. d F3 2 e d [ F3 2 e d = F3 2 e d ] measure 55 C4 4 q d rest 4 q rest 4 q measure 56 rest 2 e * D + Tasto solo e piano C3 2 e d [ D3 2 e d = C3 2 e d = D3 2 e d = E3 2 e n d ] measure 57 F3 6 q. d E3 2 e n d [ F3 2 e d = G3 2 e d ] measure 58 Af3 8 h d G3 4 q d measure 59 F3 6 q. d Ef3 2 e d Df3 4 q f d measure 60 C3 12 h. u measure 61 rest 2 e * D + [Tutti] F3 2 e d [ f Af3 2 e d = G3 2 e d = Af3 2 e d = Bf3 2 e d ] measure 62 C4 2 e d [ C3 2 e d = F3 2 e d = Ef3 2 e d = F3 2 e d = G3 2 e d ] measure 63 Af3 2 e d [ C3 2 e d ] p D3 4 q d E3 4 q n d measure 64 F3 2 e d [ F3 2 e d ] D3 4 q d E3 4 q n d measure 65 F3 2 e d [ F3 2 e d ] D3 4 q d E3 4 q n d measure 66 F3 2 e d [ Bf2 2 e d ] C3 4 q u C2 4 q u measure 67 & Track 10 in the Autograph and Chrysander scores has a tied F2 from m.67-70. In Arnold there are no tieshere. I've tied the Tutti Bassi & not the Organ. & F2 12- h. u - measure 68 F2 12- h. u - measure 69 F2 12- h. u - measure 70 F2 12- h. u - measure 71 F2 8 h u F3 4 q d measure 72 E3 8 h n d Ef3 4 q f d measure 73 D3 8 h d Df3 4 q f d measure 74 C3 12 h. u F measure 75 rest 4 q rest 4 q Bf2 4 q u p measure 76 C3 4 q u rest 4 q rest 4 q measure 77 rest 4 q rest 4 q C3 4 q u measure 78 F2 8 h u rest 4 q measure 79 rest 2 e C3 2 e u [ pp D3 2 e u = C3 2 e u = D3 2 e u = E3 2 e n u ] measure 80 F3 2 e d [ Bf2 2 e d ] C3 4 q u C2 4 q u measure 81 F2 12 h. u mheavy2 /END @SUPERSEDES: TIMESTAMP: DEC/26/2001 [md5sum:01c391d3ee727c8a55b858a4cdcc983d] @REASON: major archive update