(C) 2000, 2002 Center for Computer Assisted Research in the Humanities. ID: {han/arnold/semele/stage2/78/10} [KHM:115119890] TIMESTAMP: NOV/27/2005 [md5sum:74c48f1d0a601b7cca30829321087b53] 04/06/00 Fran Bennion WK#:58 MV#:78 Arnold [c.1786], rev. NMcG, ESF Chorus Organ 0 0 Group memberships: sound sound: part 10 of 11 & In Arnold, the rhythm in the third beat of measures 3, 8, & 9 is a dotted eighth and a sixteenth. In measure 3 in the Autograph & Chrysander it is two eighths, and that is what was entered here. In measures 8 & 9 Chrysander has two eighths and the Autograph has a dotted rhythm in most of the upper parts and undotted in the lower parts. I've entered dotted rhythms in meas. 8 & 9 as in Arnold. This movement (in f-) was notated in 3 flats in Arnold, Autog. & Chrys. & $ K:-4 Q:4 T:3/4 C:22 D:A tempo ordinario F3 4 q d measure 1 f1 @2 n C4 4 q d C4 4 q d rest 4 q measure 2 rest 8 h f1 @2 f C4 4 q d measure 3 f2 @2 6 5 A3 4 q n d A3 4 q d A3 2 e d [ A3 2 e d ] measure 4 f1 @2 f Bf3 3 e. d [ Bf3 1 s d ]\ Bf3 4 q d rest 4 q measure 5 rest 8 h f1 @2 f Bf2 4 q u measure 6 F3 4 q d F3 4 q d rest 2 e F3 2 e d measure 7 f1 7 Df4 4 q f d Df4 4 q d f1 6 Df4 3 e. d [ Df4 1 s d ]\ measure 8 f1 @2 n C4 3 e. d [ f1 @2 n C3 1 s d ]\ f1 @2 n C3 4 q u f1 6 Af3 3 e. d [ F3 1 s d ]\ measure 9 f1 @2 n C4 3 e. d [ C3 1 s d ]\ C3 4 q u f1 6 Af3 3 e. d [ F3 1 s d ]\ measure 10 f1 n C4 3 e. d [ C3 1 s d ]\ C3 4 q u rest 4 q measure 11 rest 12 F mdouble 12 $ D:Larghetto rest 12 measure 13 rest 12 measure 14 rest 2 e F3 2 e d [ f1 6 Af3 2 e d = G3 2 e d = Af3 2 e d = Bf3 2 e d ] measure 15 f1 n C4 2 e d [ C3 2 e d = f1 6f G3 2 e d = F3 2 e d = G3 2 e d = A3 2 e n d ] measure 16 Bf3 2 e d [ Bf2 2 e d = f1 6f F3 2 e d = Ef3 2 e d = F3 2 e d = G3 2 e d ] measure 17 Af3 2 e d [ C3 2 e d = f1 6 D3 2 e d = C3 2 e d = D3 2 e d = E3 2 e n d ] measure 18 F3 2 e d [ Bf2 2 e d ] f1 4 C3 4 q u f1 n C2 4 q u measure 19 F2 4 q u F3 4 q d rest 2 e f1 n C3 2 e u measure 20 F3 8 h d rest 2 e f1 6n G3 2 e d measure 21 f1 6 Af3 6 q. d Af3 2 e d [ f1 6n G3 2 e d = F3 2 e d ] measure 22 f1 n C3 8 h u rest 4 q measure 23 rest 2 e f1 6 Af3 2 e d f2 6n 5 G3 4 q d F3 4 q d measure 24 f1 n C4 8 h d rest 4 q measure 25 rest 2 e f1 n C3 2 e d [ f1 6 D3 2 e d = C3 2 e d = D3 2 e d = E3 2 e n d ] measure 26 f1 @2 n F3 6 q. d f1 @2 n C3 2 e d [ f1 @2 n F3 2 e d = f1 @2 6n G3 2 e d ] measure 27 f1 6 A3 6 q.n d f2 4+ 2 Bf3 2 e d [ f1 6 A3 2 e d = f1 6\ G3 2 e d ] measure 28 f1 n F3 4 q d F3 4 q d F3 2 e d [ G3 2 e d ] measure 29 f1 6 A3 2 e n d [ F3 2 e d = A3 2 e d = G3 2 e d = A3 2 e d = Bf3 2 e d ] measure 30 f1 f C4 2 e d [ Bf3 1 s d =[ A3 1 s n d ]] f1 6 G3 2 e d [ F3 2 e d = G3 2 e d = A3 2 e d ] measure 31 Bf3 2 e d [ Ef3 2 e d = f1 4 F3 2 e d = Ef3 2 e d = f1 n F3 2 e d = F2 2 e d ] measure 32 Bf2 4 q u rest 4 q rest 2 e f1 n F3 2 e d measure 33 Bf3 4 q d rest 4 q rest 2 e f1 n F3 2 e d measure 34 Bf3 4 q d Bf2 4 q u rest 4 q $ C:15 measure 35 rest 2 e Bf4 2 e d [ D5 2 e d = C5 2 e d = D5 2 e d = E5 2 e n d ] measure 36 F5 2 e d [ $ C:22 F3 2 e d = f1 6 Af3 2 e f d = + G3 2 e d = Af3 2 e d = Bf3 2 e d ] measure 37 f1 n C4 4 q d f1 6f G3 4 q d f1 2 5 f1 6 C4 4 q d measure 38 f1 6 B3 4 q n d f1 4 6 f2 6 6 3 f2 - 4+ Bf3 8 h f d measure 39 f1 6 A3 4 q n d f1 4 6 f2 6 6 3 f2 - 4+ Af3 8 h f d measure 40 f2 6 4 G3 2 e d [ f2 6 f F3 2 e d ] f1 4 G3 4 q d f1 n G2 4 q u measure 41 C3 8 h u rest 4 q measure 42 rest 4 q rest 2 e f1 n C4 2 e d [ C4 2 e d = C4 2 e d ] measure 43 f2 @2 6f 5 F3 4 q d rest 2 e f2 @2 6f 5 F3 2 e d f2 @2 6 5f G3 4 q d measure 44 Af3 2 e d [ Df3 2 e f d ] f1 4 Ef3 4 q d f1 3 Ef2 4 q u measure 45 Af2 4 q u rest 4 q rest 4 q measure 46 rest 2 e Ef3 2 e d [ f1 6f F3 2 e d = f1 6 Ef3 2 e d = f1 6f F3 2 e d = f1 6 G3 2 e d ] measure 47 Af3 2 e d [ Af3 2 e d ] f1 5 Df4 6 q.f d f2 6 4 Df4 2 e d measure 48 f1 6 C4 2 e d [ C4 2 e d ] f2 @2 5 f Bf3 6 q. d f1 @2 6 Bf3 2 e d measure 49 Af3 6 q. d f1 6 G3 2 e d f1 6f F3 4 q d measure 50 f2 6 4 Ef3 2 e d [ Df3 2 e f d ] f1 4 Ef3 4 q d f2 7f 3 Ef2 4 q u measure 51 Af2 4 q u rest 4 q Af2 4 q u measure 52 f1 f Ef3 4 q d rest 2 e Ef3 2 e d [ Ef3 2 e d = Ef3 2 e d ] measure 53 Bf3 4 q d rest 4 q Bf2 4 q u measure 54 F3 6 q. d F3 2 e d [ F3 2 e d = F3 2 e d ] measure 55 f1 @2 n C4 4 q d rest 4 q rest 4 q measure 56 rest 2 e C3 2 e d [ D3 2 e d = C3 2 e d = D3 2 e d = E3 2 e n d ] measure 57 F3 6 q. d E3 2 e n d [ F3 2 e d = G3 2 e d ] measure 58 Af3 8 h d G3 4 q d measure 59 F3 6 q. d Ef3 2 e d f1 2 5 f1 6 Df3 4 q f d measure 60 f1 n C3 12 h. u measure 61 rest 2 e F3 2 e d [ f1 6 Af3 2 e d = G3 2 e d = Af3 2 e d = Bf3 2 e d ] measure 62 C4 2 e d [ C3 2 e d = f1 6f F3 2 e d = Ef3 2 e d = F3 2 e d = G3 2 e d ] measure 63 Af3 2 e d [ C3 2 e d ] f1 6 D3 4 q d f1 6 5 E3 4 q n d measure 64 F3 2 e d [ F3 2 e d ] f1 6 5 D3 4 q d f1 6 5 E3 4 q n d measure 65 F3 2 e d [ F3 2 e d ] f1 @2 6 5 D3 4 q d f1 @2 6 5 E3 4 q n d measure 66 F3 2 e d [ f1 f Bf2 2 e d ] f1 @2 4 C3 4 q u f1 @2 n C2 4 q u measure 67 & Track 10 in the Autograph and Chrysander scores has a tied F2 from m.67-70. In Arnold there are no ties. I've tied the Tutti Bassi and not the Organ. & F2 12 h. u measure 68 f2 4 7n 2 f2 6 7f 2 f2 8 - 1 f2 10 7 2 f2 - 3 F2 12 h. u measure 69 f2 4 6 4 f2 6f 4 F2 12 h. u measure 70 f1 4 7n f1 7f F2 12 h. u measure 71 f2 4 6 4 f2 6 4f F2 8 h u F3 4 q d measure 72 f2 6 5 E3 8 h n d f2 4 2 Ef3 4 q f d measure 73 f1 6 D3 8 h d Df3 4 q f d measure 74 f2 7 n C3 12 h. u measure 75 rest 8 h f2 7 f Bf2 4 q u measure 76 f2 6 4 C3 4 q u rest 4 q rest 4 q measure 77 rest 8 h f2 7 n C3 4 q u measure 78 F2 8 h u rest 4 q measure 79 rest 2 e f2 6 4 C3 2 e d [ f1 6 D3 2 e d = C3 2 e d = D3 2 e d = f1 6 E3 2 e n d ] measure 80 F3 2 e d [ f1 f Bf2 2 e d ] f1 @2 4 C3 4 q u f1 @2 n C2 4 q u measure 81 F2 12 h. u mheavy2 /END @SUPERSEDES: TIMESTAMP: DEC/26/2001 [md5sum:ff70620708d2d4babc6cadbf77e47bcb] @REASON: major archive update