(C) 1992, 2003 Center for Computer Assisted Research in the Humanities. ID: {han/best/rada/stage2/30/02} TIMESTAMP: NOV/27/2005 [md5sum:78e3f44d242ead3d89e016e85a626fac] 12/01/92 E. Correia WK#:12b MV#:30 Chrysander, 2nd Version December 1720 / Terence Best 1992.. Radamisto Recitativo Violoncello 0 0 Group memberships: sound sound: part 2 of 3 & Initial conversion from stage 1 to stage 2 & @ This upbeat is shorter by a beat than that of the vocal part. T. Best suggests it might be read as completing the last measure of the preceding recitative. $ K:0 Q:1 T:1/1 C:22 f2 4+ 2 E3 2 h d measure 1 A#2 2 h # u B2 2- h u - measure 2 B2 2 h u E3 2- h d - measure 3 E3 2 h d F#3 1 q # d B2 1 q u measure 4 G2 4- w u - measure 5 G2 4 w u measure 6 G#2 4- w # u - measure 7 G#2 4 w u measure 8 C#3 4 w # u measure 9 F#3 4 w # d measure 10 E3 4 w d measure 11 f1 # D3 4- w d - measure 12 D3 4- w d - measure 13 D3 2 h d Bf2 2 h f u measure 14 D3 2 h d Ef3 2 h f d measure 15 F3 1 q d Bf2 1- q f u - Bf2 2- h u - measure 16 Bf2 2 h u G2 2 h u measure 17 F2 4- w u - measure 18 F2 2 h u D3 2 h d measure 19 Ef3 4 w f d measure 20 F3 2 h d G3 1 q d C3 1- q u - measure 21 C3 2 h u E3 2- h d - measure 22 E3 2 h d F#3 2- h # d - measure 23 F#3 2 h d B2 2- h u - measure 24 B2 4 w u measure 25 C#3 2 h # u D3 2 h d measure 26 G3 2 h d f1 # A3 1 q d F#3 1- q # d - measure 27 F#3 4 w d measure 28 F3 4 w n d + measure 29 E3 4 w d measure 30 A2 4 w u measure 31 F3 4 w d measure 32 G3 1 q d C3 1 q u & The remainder of this recitative was composed by Terence Best, editor. & A2 2- h u - measure 33 A2 4 w u measure 34 G3 2 h d F3 2 h d measure 35 D3 2 h d f1 # E3 1 q d A3 1- q d - measure 36 A3 2 h d D#3 2- h # d - measure 37 D#3 4 w d measure 38 E3 2 h d A2 2 h u measure 39 f1 # B2 1 q u E3 1 q d rest 2 h mheavy2 /END