(C) 2004, 2005 Center for Computer Assisted Research in the Humanities. ID: {han/chry/opera/atalan/stage2/204/03} TIMESTAMP: DEC/01/2005 [md5sum:d288eecebbb4663eadaf570679141841] 05/21/04 Fran Bennion WK#:35 MV#:2.04 Chrysander Leipzig 1882, Rev. Atalanta Recitative Continuo 0 0 Group memberships: sound score parts sound: part 3 of 3 score: part 2 of 2 parts: part 2 of 2 & Nick McGegan has indicated that a gamba should play at meas. 12. & $ K:0 Q:1 T:1/1 C:22 G3 4- w d - measure 2 G3 4- w d - measure 3 G3 2 h d f1 6\ E3 2 h d measure 4 F#3 2 h # d D#3 2- h # d - measure 5 D#3 2 h d E3 2- h d - measure 6 E3 4 w d measure 7 A#3 4 w # d measure 8 B3 4 w d measure 9 G#3 2 h # d f1 # A3 2- h d - measure 10 A3 2 h d E#3 2- h # d - measure 11 E#3 4 w d measure 12 F#3 4 w # d measure 13 f1 # A2 4- w u - measure 14 f3 7# 4 2 A2 4- w u - measure 15 A2 2- h u - f2 5 3 A2 2 h u measure 16 F#3 2 h # d E3 2- h d - measure 17 E3 4 w d measure 18 C#3 4 w # u measure 19 D3 2 h d F#3 2- h # d - measure 20 F#3 4- w d - measure 21 F#3 4 w d measure 22 B2 4- w u - measure 23 B2 2 h u f2 4+ 2 A2 2 h u measure 24 G2 4 w u measure 25 G#2 4 w # u measure 26 A2 2 h u G3 2- h d - measure 27 G3 2 h d F3 2- h d - measure 28 F3 4 w d measure 29 f1 # E3 4 w d measure 30 G#3 2 h # d A3 2 h d measure 31 E3 2 h d F3 2 h d measure 32 G3 1 q d irest 1 C3 1 q u rest 2 h mheavy2 /END