(C) 1995 Center for Computer Assisted Research in the Humanities.
ID: {bach/bg/vocal/0245/stage2/15/08}
TIMESTAMP: NOV/23/2005 [md5sum:a89e7c34206215891b64a628a28293f0]
08/31/95 S. Rasmussen
WK#:245       MV#:14
Bach Gesellschaft xii/1
Saint John's Passion
Choral
Organo e Continuo
1 74
Group memberships: sound  score
sound: part 8 of 8
score: part 8 of 8
&
Initial conversion from stage 1 to stage 2
&
$  K:3   Q:2   T:1/1  C:22
F#3    2        q     d
f2              6 5
E#3    2        q #   d
F#3    2        q     d
f1              6
G#3    2        q     d
measure 2
A3     2        q     d
f1              6
F#3    2        q     d
f2              6 5n
C#3    4        h     u        F
measure 3
D3     2        q     d
f1              6
E3     2        q     d
f2              6 5
F#3    1        e     d  [
f2              6 5
G#3    1        e     d  ]
A3     2        q     d
measure 4
f1     2        4
f1              3
E3     4        h     d
A2     4        h     u        F
measure 5
A3     2        q     d
f1              6
G#3    2        q     d
f1              6
F#3    1        e     d  [
G#3    1        e     d  ]
A3     2        q     d
measure 6
f1              7f
E#3    2        q #   d
F#3    2        q     d
f1              #
C#3    4        h     u        F
measure 7
F#3    2        q     d
f1              6
G#3    2        q     d
A3     2        q     d
f1              6
A#3    2        q #   d
measure 8
B3     4        h     d
f2              6 5
E#3    4        h #   d        F
measure 9
F#3    1        e     d  [
G#3    1        e     d  =
f1              6
A3     1        e     d  =
B3     1        e     d  ]
C#4    2        q     d
f1              6
F#3    1        e     d  [
G#3    1        e     d  ]
measure 10
A3     2        q     d
E3     2        q     d
A2     4        h     u        F
measure 11
f2              4+ 2
A3     2        q     d
f1              6
G#3    2        q     d
f2              4 2
G3     2        q n   d
f1          *   \
F#3    1        e     d  [
f1              n
E3     1        e     d  ]
measure 12
f2              6 5
A#2    2        q #   u        (
f1              #
B2     2        q     u        )
E2     4        h     u        F
measure 13
C#3    2        q     u
F#3    2        q     d
f1              7f
D3     2        q     d
f1     1        7\
f1              6
G3     2        q n   d
measure 14
f1              7
E3     2        q     d
f1              #
F#3    2        q     d
B2     4        h     u        F
measure 15
f1              3
F#3    1        e     d  [
E3     1        e     d  =
f1          *   \
D3     1        e     d  =
f1              6
C#3    1        e     d  ]
f1              6
B2     2        q     u
f1              6
C#3    1        e     u  [
D3     1        e     u  ]
measure 16
f1     2        4
f1              3
E3     4        h     d
A2     4        h     u        F
*               B       Fine della prima parte
P  C25:f32  C17:Y100
mheavy2
/FINE
* This figure (m. 11, beat 4, first eighth-note, and m. 15, beat 2, first
eighth-note) is a line slanting downward from left to right, signifying
that the harmony, though struck on this note, is figured according to
the following note.
/END