(C) 1993, 2002 Center for Computer Assisted Research in the Humanities. ID: {cor/chry/trio/op1n04/stage2/04/01} [KHM:2331054677] TIMESTAMP: NOV/27/2005 [md5sum:946a472f6d4311af35490042ab3d7b04] 08/19/93 S. Rasmussen WK#:1,4 MV#:4 Augener/Chrysander Church Sonatas, Op. 1: Sonata IV [Movement 4] Violino 1 Group memberships: sound score sound: part 1 of 4 score: part 1 of 4 & Stage 2 complete & $ K:0 Q:2 T:1/1 C:4 D:Presto A5 2 q d E5 2 q d C5 2 q d G#4 2 q # u measure 2 A4 2 q u B4 2 q d C5 2 q d E5 2- q d - measure 3 E5 2 q d F5 4 h d E5 2- q d - measure 4 E5 2 q d D5 4 h d C5 2- q d - measure 5 C5 2 q d B4 4 h d A4 2- q u - measure 6 A4 2 q u G#4 2 q # u A4 2 q u E5 2- q d - measure 7 E5 2 q d D5 2 q d E5 4 h d measure 8 E5 2 q d B4 2 q d G4 2 q u D#4 2 q # u measure 9 E4 2 q u F#4 2 q # u G4 2 q u B4 2- q d - measure 10 B4 2 q d C5 4 h d B4 2- q d - measure 11 B4 2 q d A4 2 q u B4 2 q d rest 2 q measure 12 C6 3 q. d D6 1 e d B5 3 q. d C6 1 e d measure 13 A5 3 q. d B5 1 e d G5 3 q. d A5 1 e d measure 14 F#5 4 h # d E5 2 q d rest 2 q measure 15 E5 1 e d [ B4 1 e d = G4 1 e d = E5 1 e d ] C5 4 h d measure 16 D5 1 e u [ A4 1 e u = F4 1 e u = D5 1 e u ] B4 4 h u measure 17 C5 1 e u [ G4 1 e u = E4 1 e u = C5 1 e u ] A4 1 e u [ B4 1 e u = C5 1 e u = C5 1 e u ] measure 18 C5 3 q. d B4 1 e d C5 3 q. d C6 1 e d measure 19 A5 1 e d [ B5 1 e d = C6 1 e d = C6 1 e d ] C6 3 q. d B5 1 e d measure 20 C6 4 h d Bf5 3 q.f d A5 1 e d measure 21 G#5 4 h # d A5 1 e d [ E5 1 e d = A5 1 e d = G5 1 e n d ] measure 22 F5 4 h d G5 1 e d [ D5 1 e d = G5 1 e d = F5 1 e d ] measure 23 E5 4 h d D5 4 h d measure 24 C5 4 h d B4 2 q d E5 2- q d - measure 25 E5 2 q d D#5 2 q # d E5 1 e d [ B4 1 e d = E5 1 e d = D5 1 e n d ] measure 26 C5 4 h d D5 1 e d [ A4 1 e d = D5 1 e d = C5 1 e d ] measure 27 B4 4 h d C5 1 e d [ G#4 1 e # d = C5 1 e d = B4 1 e d ] measure 28 A4 4 h u B4 1 e u [ F#4 1 e # u = B4 1 e u = A4 1 e u ] measure 29 G#4 4 h # u E5 4 h d measure 30 F5 4 h d E5 1 e d [ D5 1 e d = C5 1 e d = B4 1 e d ] measure 31 C5 2 q d rest 2 q A5 1 e d [ ( G5 1 e d = F5 1 e d = E5 1 e d ] ) measure 32 F5 1 e d [ ( E5 1 e d = D5 1 e d = C5 1 e d ] ) B4 2 q d C5 2 q d measure 33 B4 4 h d A4 4 h u measure 34 E5 4 h d A5 1 e d [ (p G5 1 e d = F5 1 e d = E5 1 e d ] ) measure 35 F5 1 e d [ ( E5 1 e d = D5 1 e d = C5 1 e d ] ) B4 2 q d C5 2 q d measure 36 B4 4 h d A5 2 q d f E5 2 q d measure 37 C5 2 q d G#4 2 q # u A4 2 q u B4 2 q d measure 38 C5 2 q d $ D:Adagio E5 4 h d D5 2 q d t S C32:wn8s12t87e measure 39 E5 4 h d rest 4 h mheavy2 /FINE It is hard to believe that Corelli intended the Phrygian cadence of mm. 37-39 to be the conclusion of this work. Probably this "forte" passage was intended to be played only as the first ending of this section; the repetition should probably conclude with the A minor cadence of m. 36, and the Violino 1 should close with an A5 half-note in the second half of that measure. /END @SUPERSEDES: TIMESTAMP: DEC/26/2001 [md5sum:d03f85ebf6651ffb5cdc928a14f644eb] @REASON: major archive update