(C) 2004, 2004 Center for Computer Assisted Research in the Humanities. ID: {viv/roger/op1/rv075/stage2/03/02} TIMESTAMP: DEC/10/2005 [md5sum:822897701a49dc315526d1ffa93f5103] 10/26/04 Fran Bennion WK#:01,09 MV#:3 RV 75 / Estienne Roger (No. 363), Amsterdam [facs.] Vivaldi Op.1, No 9 in A Major Movement 3 - Allemanda Violino 2 Group memberships: score score: part 2 of 4 $ Q:4 K:3 T:1/1 C:4 D:Allemanda, Allegro rest 8 1 h E5 2 1 e u [ E4 2 1 e u = F#4 3 1 e. u = G#4 1 1 s u ]\ measure 2 A4 2 1 e d [ C#5 2 1 e d = E5 3 1 e. d = F#5 1 1 s d ]\ B4 4 1 q d rest 2 1 e G#4 2 1 e u measure 3 A4 4 1 q u B4 4 1 q d E4 4 1 q u rest 2 1 e C#5 2 1 e d measure 4 D5 4 1 q d E5 4 1 q d A4 4 1 q u F#5 4 1 q d measure 5 B4 4 1 q d E5 4- 1 q d - E5 2 1 e d [ D5 1 1 s d =[ P C32:o C#5 1 1 s d ]] D5 2 1 e d [ D5 2 1 e d ] measure 6 D5 4 1 q d ( P C32:o C#5 2 1 e d [ ) E5 2 1 e d ] F#5 2 1 e d [ B4 2 1 e d ] B4 4 1 q d measure 7 A4 4 1 q u C#5 3 1 e. d [ D5 1 1 s d ]\ E5 2 1 e u [ E4 2 1 e u = D5 2 1 e u = D5 2 1 e u ] measure 8 D5 2 1 e d [ ( P C32:o C#5 2 1 e d = ) E5 3 1 e. d = F#5 1 1 s d ]\ B4 4 1 q d rest 2 1 e G#5 2 1 e d measure 9 G#5 2 1 e d [ F#5 2 1 e d = F#5 2 1 e d = F#5 2 1 e d ] F#5 2 1 e d [ ( P C32:o E5 2 1 e d ] ) rest 2 1 e E5 2 1 e d measure 10 E5 2 1 e d [ D#5 2 1 e # d = D#5 2 1 e d = D#5 2 1 e d ] D#5 2 1 e d [ ( P C32:o C#5 2 1 e d ] ) rest 2 1 e C#5 2 1 e d measure 11 C#5 2 1 e d [ ( B4 2 1 e d ] ) rest 2 1 e B4 2 1 e d C#5 4 1 q d F#4 2 1 e u [ B4 2 1 e u ] measure 12 G#4 4 1 q u rest 4 1 q rest 2 1 e G#5 1 1 s d [[ P C32:o A5 1 1 s d ]] B5 2 1 e d [ B4 2 1 e d ] measure 13 C#5 6 1 q. d C#5 2 1 e d F#4 4 1 q u rest 2 1 e B4 2 1 e d measure 14 C#5 4 1 q d F#4 2 1 e u [ B4 2 1 e u ] G#4 8 1 h u mheavy4 15 :|: rest 8 1 h E5 3 1 e. d [ D5 1 1 s d =\ C#5 2 1 e d = E5 2 1 e d ] measure 16 A4 4 1 q u rest 4 1 q F#5 3 1 e. d [ E5 1 1 s d =\ D#5 2 1 e # d = F#5 2 1 e d ] measure 17 B4 4 1 q d rest 4 1 q G#5 3 1 e. d [ F#5 1 1 s d =\ E#5 2 1 e # d = G#5 2 1 e d ] measure 18 C#5 4 1 q d rest 2 1 e C#5 2 1 e d D5 2 1 e d [ C#5 2 1 e d = B4 2 1 e d = A4 2 1 e d ] measure 19 G#4 4 1 q u A4 4 1 q u B4 8 1 h d measure 20 E4 4 1 q u rest 2 1 e C#5 2 1 e d D#5 4 1 q # d B#4 4 1 q # d measure 21 G#4 2 1 e d [ G#5 2 1 e d ] A5 8 1 h d G#5 4- 1 q d - measure 22 G#5 4 1 q d F#5 8 1 h d E5 4 1 q d measure 23 D#5 8 1 h # d C#5 4 1 q d rest 4 1 q measure 24 C#5 8 1 h d F#4 8 1 h u measure 25 B4 8 1 h d E4 4 1 q u C#5 4 1 q d measure 26 D5 2 1 e d [ D5 2 1 e d = D5 2 1 e d = D5 2 1 e d ] G#4 6 1 q. u G#5 2 1 e d measure 27 C#5 2 1 e u [ A4 2 1 e u = B4 3 1 e. u = A4 1 1 s u ]\ G#4 6 1 q. u C#5 2 1 e d measure 28 A4 2 1 e u [ F#4 2 1 e u ] F#5 4- 1 q d - F#5 2 1 e d [ E5 2 1 e d = F#4 2 1 e d = E5 2 1 e d ] measure 29 D5 2 1 e u [ B3 2 1 e u ] rest 2 1 e D#5 2 1 e d E5 4 1 q d F#5 4 1 q d measure 30 B4 4 1 q d E5 4- 1 q d - E5 2 1 e u [ D5 2 1 e u = E4 2 1 e u = D5 2 1 e u ] measure 31 C#5 2 1 e u [ A3 2 1 e u ] rest 2 1 e C#5 2 1 e d D5 4 1 q d E5 4 1 q d measure 32 A4 4 1 q u F#5 4 1 q d B4 4 1 q d rest 2 1 e E5 2 1 e d measure 33 E5 2 1 e d [ D5 2 1 e d = D5 2 1 e d = D5 2 1 e d ] D5 4 1 q d ( P C32:o C#5 2 1 e d [ ) & Slur in Roger seemed to be over the last two 8ths. Slur in scan was from the previous quarter to the first of the last two 8ths, as both the scan & Roger have it in an almost identical passage in measure 35 & 36. I chose to enter the scanned version. & E5 2 1 e d ] measure 34 F#5 4 1 q d B4 2 1 e d [ E5 2 1 e d ] C#5 4 1 q d rest 2 1 e * G p P C17:Y59 E5 2 1 e d measure 35 E5 2 1 e d [ D5 2 1 e d = D5 2 1 e d = D5 2 1 e d ] D5 4 1 q d ( P C32:o C#5 2 1 e d [ ) E5 2 1 e d ] measure 36 F#5 4 1 q d B4 2 1 e d [ E5 2 1 e d ] C#5 8 1 h d F mheavy2 :| /END