(C) 2001 Center for Computer Assisted Research in the Humanities. ID: {viv/micro/op10/rv501/stage2/02/04} TIMESTAMP: DEC/10/2005 [md5sum:18547ca504b14bd7b49198d275506c94] 06/27/01 Fran Bennion WK#:10,2c MV#:2 RV 501 / Giordano 31 pp.64-71, Torino Concerto for Bassoon in Bb Major, Op.10, No. 2c, \0"Night" Fantasmi [Viola] 0 0 Group memberships: sound score sound: part 4 of 5 score: part 4 of 5 $ K:-2 Q:8 T:1/1 C:13 D:Presto D4 2 s d [[ D5 2 s d == Bf4 2 s d == F4 2 s d ]] D4 2 s d [[ F4 2 s d == D4 2 s d == Bf3 2 s d ]] F3 2 s d [[ D5 2 s d == Bf4 2 s d == F4 2 s d ]] D4 2 s d [[ F4 2 s d == D4 2 s d == Bf3 2 s d ]] measure 2 F3 4 e u rest 4 e F4 2 s d [[ F4 2 s d == F4 2 s d == F4 2 s d ]] F4 4 e d rest 4 e F4 2 s d [[ F4 2 s d == F4 2 s d == F4 2 s d ]] measure 3 F4 4 e d rest 4 e F4 2 s d [[ F4 2 s d == F4 2 s d == F4 2 s d ]] F4 8 q d rest 8 q measure 4 D5 2 s d [[ D5 2 s d == D5 2 s d == D5 2 s d ]] D5 2 s d [[ D5 2 s d == D5 2 s d == D5 2 s d ]] D5 2 s d [[ C5 2 s d == Bf4 2 s d == A4 2 s d ]] G4 2 s d [[ F4 2 s d == Ef4 2 s d == D4 2 s d ]] measure 5 C5 2 s d [[ C5 2 s d == C5 2 s d == C5 2 s d ]] C5 2 s d [[ C5 2 s d == C5 2 s d == C5 2 s d ]] C5 2 s d [[ Bf4 2 s d == A4 2 s d == G4 2 s d ]] F4 2 s d [[ Ef4 2 s d == D4 2 s d == C4 2 s d ]] measure 6 Bf4 2 s d [[ Bf4 2 s d == Bf4 2 s d == Bf4 2 s d ]] Bf4 2 s d [[ Bf4 2 s d == Bf4 2 s d == Bf4 2 s d ]] Af4 2 s f d [[ G4 2 s d == F4 2 s d == Ef4 2 s d ]] D4 2 s u [[ C4 2 s u == Bf3 2 s u == Af3 2 s f u ]] measure 7 D4 2 s d [[ D4 2 s d == D4 2 s d == D4 2 s d ]] D4 2 s d [[ D4 2 s d == D4 2 s d == D4 2 s d ]] Ef4 8 q d rest 8 q measure 8 rest 32 measure 9 B4 2 s n d [[ D5 2 s d == B4 2 s d == G4 2 s d ]] D4 2 s d [[ G4 2 s d == D4 2 s d == B3 2 s n d ]] G3 8 q u rest 8 q measure 10 rest 32 measure 11 G3 2 s d [[ G4 2 s d == G4 2 s d == G3 2 s d ]] G3 2 s d [[ G4 2 s d == G4 2 s d == G3 2 s d ]] G3 2 s d [[ A3 1 t d ==[ B3 1 t n d === C4 1 t d === D4 1 t d === Ef4 1 t d === F4 1 t d ]]] G4 4 e d rest 4 e measure 12 G3 2 s d [[ G4 2 s d == G4 2 s d == G3 2 s d ]] G3 2 s d [[ G4 2 s d == G4 2 s d == G3 2 s d ]] G3 2 s u [[ A3 1 t u ==[ B3 1 t n u === C4 1 t u === D4 1 t u === Ef4 1 t u === F4 1 t u ]]] G4 4 e d rest 4 e measure 13 rest 16 h C4 2 s d [[ D4 1 t d ==[ Ef4 1 t d === F4 1 t d === G4 1 t d === A4 1 t d === B4 1 t n d ]]] &1^ &1 No natural apparent in manuscript (faint copy) but B natural makes much more harmonic sense here. B natural in bassoon in beginning of measure. Editorial natural in Ephrikian's edition in Ricordi for RV 501. &1 C5 4 e d rest 4 e measure 14 rest 16 h Bf3 2 s d [[ C4 1 t d ==[ D4 1 t d === Ef4 1 t d === F4 1 t d === G4 1 t d === A4 1 t d ]]] Bf4 4 e d rest 4 e measure 15 rest 16 h A3 2 s d [[ Bf3 1 t d ==[ C4 1 t d === D4 1 t d === E4 1 t n d === F#4 1 t # d === G4 1 t d ]]] A4 4 e d rest 4 e measure 16 rest 32 measure 17 rest 32 measure 18 rest 32 measure 19 rest 32 measure 20 rest 32 measure 21 rest 32 measure 22 Bf4 2 s d [[ Bf4 2 s d == Bf4 2 s d == Bf4 2 s d ]] Bf4 2 s d [[ Bf4 2 s d == Bf4 2 s d == Bf4 2 s d ]] Bf4 2 s d [[ Bf4 2 s d == Bf4 2 s d == Bf4 2 s d ]] Bf4 2 s d [[ Bf4 2 s d == Bf4 2 s d == Bf4 2 s d ]] measure 23 A4 2 s d [[ G4 2 s d == F4 2 s d == Ef4 2 s d ]] D4 2 s u [[ C4 2 s u == Bf3 2 s u == A3 2 s u ]] A4 2 s d [[ A4 2 s d == A4 2 s d == A4 2 s d ]] A4 2 s d [[ A4 2 s d == A4 2 s d == A4 2 s d ]] measure 24 G4 2 s d [[ F4 2 s d == Ef4 2 s d == D4 2 s d ]] C4 2 s u [[ Bf3 2 s u == A3 2 s u == G3 2 s u ]] G4 2 s d [[ G4 2 s d == G4 2 s d == G4 2 s d ]] G4 2 s d [[ G4 2 s d == G4 2 s d == G4 2 s d ]] measure 25 F#4 2 s # d [[ Ef4 2 s d == D4 2 s d == C4 2 s d ]] Bf3 2 s u [[ A3 2 s u == G3 2 s u == F#3 2 s # u ]] D4 4 e d [ D4 4 e d = D4 4 e d = D4 4 e d ] measure 26 C#4 4 e # d [ C#4 4 e d = C#4 4 e d = C#4 4 e d ] D4 2 s d [[ E4 2 s n d == F4 2 s d == E4 2 s d ]] D4 2 s u [[ C4 2 s n u == &1^ &1 Old notation. Late in measure, harmony changed but accidental not restated. C natural in same run in Bassoon and [Basso]. Editorial natural in Ricordi. &1 Bf3 2 s u == A3 2 s u ]] measure 27 G4 2 s d [[ F4 2 s d == E4 2 s n d == D4 2 s d ]] A4 4 e d [ A3 4 e d ] D4 8 q d rest 8 q measure 28 rest 8 q rest 2 s A4 2 s d [[ E4 2 s n d == C#4 2 s # d ]] A3 8 q u rest 8 q measure 29 rest 8 q rest 2 s D5 2 s d [[ A4 2 s d == F4 2 s d ]] D4 8 q d rest 8 q measure 30 B3 4 e n u [ pp P C33:Y57 B3 4 e u = B3 4 e u = B3 4 e u ] B3 4 e u [ B3 4 e u = B3 4 e u = B3 4 e u ] measure 31 B3 4 e n u [ &1^ @1 Old notation. Accidental should carry across bar line. B3 4 e u = B3 4 e u = B3 4 e u ] B3 4 e u [ B3 4 e u = B3 4 e u = B3 4 e u ] measure 32 C5 2 s d [[ f P C33:Y66 Bf4 1 t d ==[ Af4 1 t f d === G4 1 t d === F4 1 t d === Ef4 1 t d === D4 1 t d ]]] C4 4 e d rest 4 e A3 4 e n u [ pp+ &1^ P C33:Y57 &1 Old notation? Seems like it should be in major for a Bb cadence is coming up in 2 measures. No natural apparent in Giordano. Ricordi has editorial natural. &1 A3 4 e u = A3 4 e u = A3 4 e u ] measure 33 A3 4 e u [ A3 4 e u = A3 4 e u = A3 4 e u ] A3 4 e u [ A3 4 e u = A3 4 e u = A3 4 e u ] measure 34 A3 4 e u [ A3 4 e u = A3 4 e u = A3 4 e u ] Bf4 2 s d [[ f P C33:Y70 A4 1 t d ==[ G4 1 t d === F4 1 t d === Ef4 1 t d === D4 1 t d === C4 1 t d ]]] Bf3 4 e u rest 4 e measure 35 rest 32 F mheavy2 /END