Concerto in F Major, Op.10, No. 1, "The Sea Tempest", RV 433 
                     Le Cene 544, Amsterdam [c.1728] 




Movement 1 - Allegro 

   Meas.18\8 - D5 in Violin 1.  Changed to E5 (to stay in pattern) 
          E5 in Giordano 31 (Torino microfilm) & Ricordi (Malipiero) 
   Meas.32 - 6/4 in figured bass.  Mistake?  Changed to 5/4 
          (G in bass & C and D in tracks 2 & 3) 
   Meas.43\9 - G#5 in Flute.  Added editorial natural to be G5 as in 
          Violin 1, which has a progression in every half meas. from 
          F natural, F#, G natural, G#, A natural (m.42+ to m.44).  
          Changed "6\" in bass to "6". (Bass note is Bb) 
   Meas.47\10 & 48\16 - Track 2.  The G#5 & F#5 at the end of m.47 & 48 
          revert to naturals (considerations of harmonic progressions 
          and old practices).  
   Meas.65\9 - Bass. Mistake in Malipiero.  Le Cene has C3, Malipiero 
          a D3.  Looks like a printer's error.  Same as the line above.  


Movement 2 - Largo 

   Meas.2 - Track 5.  Added editorial forte, as in Tracks 2-4.  


Movement 3 - Presto 

   Meas.88\7 - D#5 in Flute. Harmonically wierd.  Entered an editorial 
          D natural. (Part of E major 7th.  An E pedal in bass & viola.) 
   Meas.89\7 - Bb4 in flute.  Entered editorial B natural.   There is 
          E, G#, B natural in the lower voices, leading to A+ cadence.  
   Meas.111 - Tracks 2 & 3.  Added editorial pianos, like Tracks 4 & 5.  
   Meas.115\6 - Bb4 in Flute.  Changed to C5 as in meas.112. Repeated 
          pattern should be the same, i.e. m.111-113 & 114-116.  





NB - Meas.18\8 refers to the eighth note in measure 18.