Concerto in D Major, Op.10, No. 3, "The Bullfinch", RV 428 
                     Le Cene 544, Amsterdam [c.1728] 



Movement 1 - Allegro 

   Meas.11\1 - Track 4 added an editorial trill.  There were trills in        
          tracks 1-3, & 5.  
   Meas.12\1 - Tracks 4 & 5 added editorial trills. Trills in tr. 1-3.  
   Meas.18\4 - Track 1 has no trill on the quarter note on the third 
          beat.  Malipiero has a trill and it's not an editorial one!  
          It should possibly be an editorial trill.          
   Meas.47 - Tracks 3 & 5 editorial forte added.  Forte in tracks 2 & 4.  
   Meas.74 - Track 1 in beat 3 is four 16ths, same as beats 1, 2, & 4.  
          In RV 90 it is a quarter note A5 (meas. 87).  
   Meas.75-76 - Violin 1 had no trills on the 8th notes.  Added 
          editorial trills.  There were trills in the Violin 2 part 
          in these measures.  
   Meas.85 - Violin 1 had no trills.  Added an edtorial trill to 
          match the trill in Violin 2.  Malipiero has no trills in 
          this measure.  
   Meas.96 - Track 5 added an editorial forte. Forte in tracks 2-4.  


Movement 2 - Cantabile       
   All but tracks 1 and 5 are tacit.  The Flauto Traverzo part is           
          marked Solo Cantabile and the Organo e Violoncello part 
          has figures.  Maliipiero says Senza contrabassi and (1 solo).  

   Meas.5\7 - C#6 for Flute's last note of this measure.  B5 makes more 
          musical sense and Giordano RV 90 & the Manchester Manuscript 
          (MS 580) have B5. Malipiero has a B5 with a note about Le Cene 
          having a C#.  Entered an editorial B5.  
   Meas.6 - Neither track has a fermata here.  Giordano, the Manchester 
          manuscript, and Malipiero all have fermatas at the end of m.6.  


Movement 3 - Allegro 

   Meas.15\3 - Violin 2 had no trill.  Added an editorial trill.  The 
          Viola had a trill but track 5 did not (same in meas. 58).  
   Meas.74\2 - Track 3 had E5  Malipiero had an editorial #. Left as 
          an E natural.  RV 90 and the Manchester manuscripts had E5 
        (measure 80).  Might possibly consider an editorial #.  
   Meas.96\12 - Track 1 has a C6 with a natural sign in front of it.  
        In the Ricordi edition for RV 428, Malipiero not only had a       
        natural sign in front of the C6 but the next measure in the 
        realized bass he had a cautionary C#, an acknowledgement that 
        there had been a C natural.  Giordano (p.338), the Manchester 
        manuscript, and Malipiero for RV 90 all had a C# (m.110) for 
        the Oboe Bassoon variant and the notes in that measure and the 
        next were otherwise identical.