01/10/03 Fran Bennion; 01/19/08 EC WK#:1 MV#:2.27 RV 645 / Chigiana, Siena [facs. 1948] Juditha Triumphans 2.27 Recit. Accomp. (Ozias): Ita decreto aeterno Viola 0 0 Group memberships: sound score short sound: part 3 of 5 score: part 3 of 5 short: part 1 of 2 &1 The first two pages of the Autograph had a key signature of one flat and the last page had no sharps or flats in the key signature. I believe that this movement was not intended to have accidentals in the key signature. It starts with a C+ chord and the previous movement (in one flat) ended with an F+ chord. There are numerous flats written in front of Bs where there is a Bb in the key signature and a lack of naturals in front of the Bs at the end where the flat is missing in the key signature. &1 $ K:0 Q:2 T:1/1 C:13 C5 2 q d rest 2 q C5 2 q d rest 2 q measure 2 rest 4 h C5 2 q d rest 2 q measure 3 rest 4 h C5 2 q d rest 2 q measure 4 rest 4 h A4 2 q d rest 2 q measure 5 A4 2 q d rest 2 q rest 4 h measure 6 A4 2 q d rest 2 q Bf4 2 q f d rest 2 q measure 7 rest 4 h A4 2 q d A4 2 q d measure 8 A4 2 q d rest 2 q B4 2 q n d &1+ rest 2 q measure 9 A4 2 q d rest 2 q rest 4 h measure 10 G4 2 q d rest 2 q rest 4 h measure 11 G4 2 q d rest 2 q F#4 1 e # d [ F#4 1 e d ] F#4 2 q d measure 12 F#4 2 q # d &1^ @1 Sharp carries across bar. Also F# indicated in figure. rest 2 q A4 2 q d rest 2 q measure 13 rest 4 h D5 2 q d rest 2 q measure 14 rest 4 h B4 2 q d rest 2 q measure 15 rest 4 h C#5 2 q # d rest 2 q measure 16 rest 4 h B4 2 q d rest 2 q measure 17 B4 2 q n d rest 2 q G#4 2 q # d rest 2 q measure 18 C#4 2 q # d C#4 2 q d C#4 4 h d F mheavy2 /END