11\01\02 Fran Bennion; 01/13/08 EC WK#:1 MV#:1.25 RV 645 / Chigiana, Siena [facs. 1948] Juditha Triumphans 1.25 Aria (Abra): Fulgeat sol frontis decorae Basso continuo* 0 0 Group memberships: sound score sound: part 3 of 3 score: part 3 of 3 & In the Autograph there were 6 measures crossed out (mostly for the violins) beginning at measure 60. At the beginning and end of measure 70 in the Autograph, above and below the upper and lower staves, is a mark like the S sign, which is usually used when there is a Da Capo going back to a sign. & $ K:3 Q:4 T:3/8 C:22 rest 6 measure 2 A3 2 e d [ G#3 1 s d =[ F#3 1 s d == E3 1 s d == D3 1 s d ]] measure 3 C#3 2 e d [ D3 2 e d = E3 2 e d ] measure 4 A2 4 q u rest 2 e measure 5 G#3 2 e d [ F#3 2 e d = E3 2 e d ] measure 6 f2 7n 5 P C1:Y75 D#3 6- q.# d - measure 7 f1 6 P C1:Y75 D#3 6 q. d measure 8 f2 6 4 P C1:Y75 E3 4 q d f2 5 3 P C1:Y75 E2 2 e u measure 9 E3 1 s d [[ D#3 1 s # d =] &1^ @1 No # in Autograph. Seems to be in E+ here, calling for a raised 7th. E3 2 e d ] rest 2 e measure 10 F#3 1 s d [[ E3 1 s d =] F#3 2 e d ] rest 2 e measure 11 G#3 1 s d [[ F#3 1 s d =] G#3 2 e d ] rest 2 e measure 12 A3 1 s d [[ G#3 1 s d =] A3 2 e d ] rest 2 e measure 13 D#3 6 q.# d measure 14 E3 4 q d rest 2 e measure 15 F#3 4 q d rest 2 e measure 16 G#3 4 q d rest 2 e measure 17 A3 4 q d rest 2 e measure 18 B3 4 q d rest 2 e measure 19 G#3 2 e d [ F#3 2 e d = D#3 2 e # d ] measure 20 E3 2 e u [ A2 2 e u = B2 2 e u ] measure 21 E3 6 q. d mheavy3 22 |: A2 4 q u rest 2 e measure 23 A3 2 e d [ G#3 1 s d =[ F#3 1 s d == E3 1 s d == D3 1 s d ]] measure 24 C#3 2 e d [ D3 2 e d = E3 2 e d ] measure 25 A2 4 q u rest 2 e measure 26 G#3 2 e d [ F#3 2 e d = E3 2 e d ] measure 27 f2 7n 5 P C1:Y75 D#3 6- q.# d - &1 It was probably intended that mm. 27-29 have the same figures as mm. 6-8 (the only figures in the Autograph), since it is the same musical material. &1 measure 28 f1 6 P C1:Y75 D#3 6 q. d measure 29 f2 6 n P C1:Y75 E3 2 e u [ f2 5 3 P C1:Y75 E2 2 e u ] rest 2 e measure 30 E3 1 s d [[ D#3 1 s # d =] &1^ @1 Harmony continues from mm. 27-8 where there is a D# pedal. E3 2 e d ] rest 2 e measure 31 F#3 1 s d [[ E3 1 s d =] F#3 2 e d ] rest 2 e measure 32 G#3 1 s d [[ F#3 1 s d =] G#3 2 e d ] rest 2 e measure 33 A3 1 s d [[ G#3 1 s d =] A3 2 e d ] rest 2 e measure 34 D#3 6 q.# d measure 35 E3 4 q d rest 2 e measure 36 F#3 4 q d rest 2 e measure 37 G#3 4 q d rest 2 e measure 38 A3 4 q d rest 2 e measure 39 B3 4 q d rest 2 e measure 40 G#3 2 e d [ F#3 2 e d = D#3 2 e # d ] measure 41 E3 2 e u [ A2 2 e u = B2 2 e u ] measure 42 E2 6 q. u mheavy2 43 :| A2 4 q u rest 2 e measure 44 A3 2 e d [ G#3 1 s d =[ F#3 1 s d == E3 1 s d == D3 1 s d ]] measure 45 C#3 2 e d [ D3 2 e d = E3 2 e d ] measure 46 A2 4 q u rest 2 e measure 47 A3 2 e d [ G#3 1 s d =[ F#3 1 s d == E3 1 s d == D3 1 s d ]] measure 48 C#3 2 e d [ D3 2 e d = E3 2 e d ] measure 49 A2 4 q u rest 2 e measure 50 D#3 6- q.# d - measure 51 D#3 6- q. d - measure 52 D#3 6 q. d measure 53 E3 6 q. d measure 54 E3 6 q. d measure 55 E3 2 e d [ E3 2 e d = D3 2 e d ] measure 56 C#3 6 q. u measure 57 B2 4 q u rest 2 e measure 58 E3 4 q d rest 2 e measure 59 C#3 4 q u rest 2 e measure 60 C#3 4 q u rest 2 e measure 61 F#3 4 q d rest 2 e measure 62 A2 6- q. u - measure 63 A2 6- q. u - measure 64 A2 6- q. u - measure 65 A2 6- q. u - measure 66 A2 6- q. u - measure 67 A2 2 e u [ E3 2 e u = F#3 2 e u ] measure 68 D3 2 e u [ E3 2 e u = E2 2 e u ] measure 69 A2 4 q u rest 2 e measure 70 A D#3 6- q.# d - measure 71 D#3 6- q. d - measure 72 D#3 6 q. d measure 73 E3 6 q. d measure 74 B3 4 q d B3 2 e d measure 75 G#3 2 e d [ E3 2 e d = F#3 2 e d ] measure 76 D3 2 e u [ E3 2 e u = E2 2 e u ] measure 77 A2 4 q u rest 2 e measure 78 A3 2 e d [ G#3 1 s d =[ F#3 1 s d == E3 1 s d == D3 1 s d ]] measure 79 C#3 2 e d [ D3 2 e d = E3 2 e d ] measure 80 A2 4 q u rest 2 e measure 81 G#3 2 e d [ F#3 2 e d = E3 2 e d ] measure 82 f2 7n 5 P C1:Y75 D#3 6- q.# d - measure 83 D#3 6 q. d measure 84 E3 2 e d E2 4 q u measure 85 E3 1 s d [[ D#3 1 s # d =] &1^ @1 Harmony continues from m. 82-83 where there was a D# pedal. E3 2 e d ] rest 2 e measure 86 F#3 1 s d [[ E3 1 s d =] F#3 2 e d ] rest 2 e measure 87 G#3 1 s d [[ F#3 1 s d =] G#3 2 e d ] rest 2 e measure 88 A3 1 s d [[ G#3 1 s d =] A3 2 e d ] rest 2 e measure 89 D#3 6 q.# d measure 90 E3 4 q d rest 2 e measure 91 F#3 4 q d rest 2 e measure 92 G#3 4 q d rest 2 e measure 93 A3 4 q d rest 2 e measure 94 B3 6 q. d measure 95 E3 4 q d C#3 2 e u measure 96 D3 2 e u [ E3 2 e u = E2 2 e u ] measure 97 * C [Fine] P C25:f33 C17:Y75x24 A2 6 q. u F measure 98 F#3 4 q d rest 2 e measure 99 F#3 4 q d rest 2 e measure 100 E#3 6 q.# d measure 101 F#3 6 q. d measure 102 B2 4 q u rest 2 e measure 103 B2 4 q u rest 2 e measure 104 G3 2 e n d &1^ @1 In minor at this point and a G natural fits harmonically. E3 4 q d measure 105 F#3 6 q. d measure 106 E3 6 q. d measure 107 E3 2 e d [ F#3 2 e d = G3 2 e n d ] &1^ @1 In minor at this point and a G natural fits harmonically. measure 108 E3 2 e u [ F#3 2 e u = F#2 2 e u ] measure 109 B2 4 q u rest 2 e measure 110 B2 4 q u rest 2 e measure 111 E3 2 e d A#2 4 q # u measure 112 B2 6 q. u measure 113 E#3 4 q # d rest 2 e measure 114 E#3 4 q # d &1^ @1 Sharp carries over from m.113 through m.115 rest 2 e measure 115 E#3 4 q # d &1^ rest 2 e measure 116 F#3 6 q. d measure 117 E3 4 q n d + rest 2 e measure 118 E3 4 q d rest 2 e measure 119 F#3 6 q. d measure 120 G#3 4 q d B#2 2 e # u measure 121 @1 Sharp carries over measure through m.123 B#2 6- q.# u - &1^ measure 122 B#2 6- q. u - &1^ measure 123 B#2 6 q. u &1^ measure 124 C#3 4 q u E3 2 e d measure 125 F#3 2 e u [ G#3 2 e u = G#2 2 e u ] measure 126 C#3 6 q. u F * B Da Capo P C25:f33 C18:Y75x55 mdouble /END