11\01\02 Fran Bennion; 01/13/08 EC WK#:1 MV#:1.25 RV 645 / Chigiana, Siena [facs. 1948] Juditha Triumphans 1.25 Aria (Abra): Fulgeat sol frontis decorae Violin 1, 2 0 0 Group memberships: sound score sound: part 1 of 3 score: part 1 of 3 & In the Autograph there were 6 measures crossed out (mostly for the violins) beginning at measure 60. At the beginning and end of measure 70 in the Autograph, above and below the upper and lower staves, is a mark like the S sign, which is usually used when there is a Da Capo going back to a sign. & $ K:3 Q:12 T:3/8 C:4 A4 6 e d [ A4 3 s d =[ B4 3 s d == C#5 3 s d == D5 3 s d ]] measure 2 E5 12 q d rest 6 e measure 3 A4 6 e u [ B4 6 e u = G#4 6 e u ] measure 4 A4 6 e u [ ( C#4 6 e u = ) D4 6 e u ] measure 5 E4 6 e u [ F#4 6 e u = G#4 6 e u ] measure 6 A4 3 s d [[ ( B4 3 s d =] C5 6 e n d = ) B4 6 e d ] measure 7 B4 3 s d [[ ( C5 3 s n d =] D5 6 e d = ) C5 6 e d ] measure 8 C5 12 q n d t &1^ @1 Harmony continues across bar line. B4 6 e d measure 9 G#4 6 e u E5 12 q d measure 10 A4 6 e u E5 12 q d measure 11 B4 6 e d E5 12 q d measure 12 C#5 6 e d E5 12 q d measure 13 C#5 6 e d [ ( B4 6 e d = ) A4 6 e d ] measure 14 P C0:t2 G#4 6 e u rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 15 A4 6 e u rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 16 B4 6 e d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 17 C#5 6 e d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 18 D#5 6 e # d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 19 E5 6 e d [ ( A#4 6 e # d = ) B4 6 e d ] measure 20 E4 6 e u F#4 12 q u t measure 21 E4 18 q. u mheavy3 22 |: A4 6 e d [ A4 3 s d =[ B4 3 s d == C#5 3 s d == D5 3 s d ]] measure 23 E5 12 q d rest 6 e measure 24 A4 6 e u [ B4 6 e u = G#4 6 e u ] measure 25 A4 6 e u [ &2( C#4 6 e u = &2) &1 The first two notes in this measure were probably intended to be slurred, for they were slurred in meas. 4, which was the identical musical material. Measures 1-13 contained written slurs but in the Autograph meas. 22-34 the violins are instructed to play with the vocal part, which is the same as the first 13 measures, but there are no slurs in the vocal part here. There are other instances in this movement (i.e. m.27, 28, 34, 48, etc.) where slurs were probably intended but I will leave it to the people who use this data in the future to put in their own slurs, for it is easier to add them than to subtract them. &1 D4 6 e u ] measure 26 E4 6 e u [ F#4 6 e u = G#4 6 e u ] measure 27 A4 3 s d [[ &2( B4 3 s d =] C5 6 e n d = &2) B4 6 e d ] measure 28 B4 3 s d [[ &2( C5 3 s n d =] D5 6 e d = &2) C5 6 e d ] measure 29 C5 6 e n d [ &1^ @1 Harmony continues over bar line. No natural in Autograph. B4 6 e d ] rest 6 e measure 30 G#4 6 e u E5 12 q d measure 31 A4 6 e u E5 12 q d measure 32 B4 6 e d E5 12 q d measure 33 C#5 6 e d E5 12 q d measure 34 C#5 6 e d [ B4 6 e d = A4 6 e d ] measure 35 G#4 6 e u rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 36 A4 6 e u rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 37 B4 6 e d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 38 C#5 6 e d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 39 D#5 6 e # d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 40 E5 6 e d [ A#4 6 e # d = B4 6 e d ] measure 41 E4 6 e u F#4 12 q u t measure 42 E4 18 q. u mheavy2 43 :| A4 6 e d [ A4 3 s d =[ B4 3 s d == C#5 3 s d == D5 3 s d ]] measure 44 E5 12 q d rest 6 e measure 45 A4 6 e u [ B4 6 e u = G#4 6 e u ] measure 46 A4 6 e d [ A4 3 s d =[ B4 3 s d == C#5 3 s d == D5 3 s d ]] measure 47 E5 12 q d rest 6 e measure 48 A4 6 e u [ B4 6 e u = G#4 6 e u ] measure 49 A4 3 s d [[ &2( B4 3 s d =] C#5 6 e d = &2) B4 6 e d ] measure 50 A4 3 s d [[ &2( B4 3 s d =] C5 6 e n d = &2) B4 6 e d ] measure 51 A4 3 s d [[ &2( B4 3 s d =] C5 6 e n d = &2) B4 6 e d ] measure 52 A4 3 s d [[ &2( B4 3 s d =] C5 6 e n d = &2) A4 6 e d ] measure 53 G#4 6 e u [ F#4 6 e u = E4 6 e u ] measure 54 E5 6 e d [ E5 3 s d =[ F#5 3 s d == G#5 3 s d == A5 3 s d ]] measure 55 B5 6 e d [ ( G#5 6 e d = ) E5 6 e d ] measure 56 E5 6 e d E4 12 q u measure 57 F#4 6 e u rest 2 s 3 D4 2 s 3 u [[ (* E4 2 s 3 u ]] ! F#4 2 s 3 u [[ * E4 2 s 3 u == D4 2 s 3 u ]] )! measure 58 D5 6 e d [ B4 6 e d = A4 6 e d ] measure 59 G#4 6 e u rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 60 * D + [In Autograph 6 meas. crossed out beginning m. 60] P C17:Y-28 E5 6 e d [ C#5 6 e d = B4 6 e d ] measure 61 A4 6 e u rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C#5 2 s 3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 62 A5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C#5 2 s 3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 63 G#5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C#5 2 s 3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 64 F#5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C#5 2 s 3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 65 E5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C#5 2 s 3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 66 D5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C#5 2 s 3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 67 C#5 6 e d [ B4 6 e d = A4 6 e d ] measure 68 D5 6 e d [ C#5 6 e d = B4 6 e d ] measure 69 A4 6 e u rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C#5 2 s 3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 70 A A5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C5 2 s n3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 71 A5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C5 2 s n3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 72 A5 6 e d rest 2 s 3 A4 2 s 3 d [[ (* B4 2 s 3 d ]] ! C5 2 s n3 d [[ * B4 2 s 3 d == A4 2 s 3 d ]] )! measure 73 G#4 6 e u [ F#4 6 e u = E4 6 e u ] measure 74 D5 6 e d [ C#5 6 e d = B4 6 e d ] measure 75 E5 9 e. d [ G#4 3 s d =\ A4 6 e d ] measure 76 D5 6 e d [ C#5 6 e d = ( B4 6 e d ] )t measure 77 A4 6 e d [ A4 3 s d =[ B4 3 s d == C#5 3 s d == D5 3 s d ]] measure 78 E5 12 q d rest 6 e measure 79 A4 6 e u [ B4 6 e u = G#4 6 e u ] measure 80 A4 6 e u [ ( C#4 6 e u = ) D4 6 e u ] measure 81 E4 6 e u [ F#4 6 e u = G#4 6 e u ] measure 82 A4 3 s d [[ ( B4 3 s d =] C5 6 e n d = ) B4 6 e d ] measure 83 B4 3 s d [[ ( C5 3 s n d =] D5 6 e d = ) C5 6 e d ] measure 84 C5 12 q n d t &1^ @1 Harmony continues across bar line. B4 6 e d measure 85 G#4 6 e u E5 12 q d measure 86 A4 6 e u E5 12 q d measure 87 B4 6 e d E5 12 q d measure 88 C#5 6 e d E5 12 q d measure 89 C#5 6 e d [ B4 6 e d = A4 6 e d ] measure 90 G#4 6 e u rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 91 A4 6 e u rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 92 B4 6 e d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 93 C#5 6 e d rest 2 s 3 E4 2 s 3 u [[ (* F#4 2 s 3 u ]] ! G#4 2 s 3 u [[ * F#4 2 s 3 u == E4 2 s 3 u ]] )! measure 94 D5 6 e d [ C#5 6 e d = B4 6 e d ] measure 95 G#5 6 e d rest 3 s E5 3 s d [/ A5 6 e d ] measure 96 A4 6 e d [ C#5 6 e d = ( B4 6 e d ] )t measure 97 * C [Fine] P C25:f33 C17:Y75x24 A4 18 q. u &1F @1 No fermata in Autograph. measure 98 C#5 6 e d rest 2 s 3 F#4 2 s 3 u [[ (* G#4 2 s 3 u ]] ! A4 2 s 3 u [[ * G#4 2 s 3 u == F#4 2 s 3 u ]] )! measure 99 C#5 6 e d rest 2 s 3 F#4 2 s 3 u [[ (* G#4 2 s 3 u ]] ! A4 2 s 3 u [[ * G#4 2 s 3 u == F#4 2 s 3 u ]] )! measure 100 D5 6 e d [ C#5 6 e d = B4 6 e d ] measure 101 A4 6 e u [ G#4 6 e u = F#4 6 e u ] measure 102 D5 6 e d rest 2 s 3 B4 2 s 3 d [[ (* C#5 2 s 3 d ]] ! D5 2 s 3 d [[ * C#5 2 s 3 d == B4 2 s 3 d ]] )! measure 103 B5 6 e d rest 2 s 3 B4 2 s 3 d [[ (* C#5 2 s 3 d ]] ! D5 2 s 3 d [[ * C#5 2 s 3 d == B4 2 s 3 d ]] )! measure 104 E5 6 e d [ C#5 6 e d = B4 6 e d ] measure 105 A#4 6 e # u [ G#4 6 e # u = + F#4 6 e u ] measure 106 G4 6 e n u [ F#4 6 e u = E4 6 e u ] measure 107 C#5 6 e d [ ( A#4 6 e # d = ) B4 6 e d ] measure 108 E5 3 s d [[ C#5 3 s d =] D5 6 e d = ( C#5 6 e d ] )t measure 109 B4 6 e d rest 2 s 3 B4 2 s 3 d [[ (* C#5 2 s 3 d ]] ! D5 2 s 3 d [[ * C#5 2 s 3 d == B4 2 s 3 d ]] )! measure 110 B5 6 e d rest 2 s 3 B4 2 s 3 d [[ (* C#5 2 s 3 d ]] ! D5 2 s 3 d [[ * C#5 2 s 3 d == B4 2 s 3 d ]] )! measure 111 G5 6 e n d [ ( &1^ @1 In e minor here and G natural fits. No accidental in Autograph. F#5 6 e d = ) E5 6 e d ] measure 112 D5 6 e u [ B4 6 e u = B3 6 e u ] measure 113 G#5 6 e d + rest 2 s 3 B4 2 s 3 d [[ (* C#5 2 s 3 d ]] ! D5 2 s 3 d [[ * C#5 2 s 3 d == B4 2 s 3 d ]] )! measure 114 G#5 6 e # d + rest 2 s 3 B4 2 s 3 d [[ (* C#5 2 s 3 d ]] ! D5 2 s 3 d [[ * C#5 2 s 3 d == B4 2 s 3 d ]] )! measure 115 G#5 6 e d + rest 2 s 3 B4 2 s 3 d [[ (* C#5 2 s 3 d ]] ! D5 2 s 3 d [[ * C#5 2 s 3 d == B4 2 s 3 d ]] )! measure 116 A4 6 e u [ G#4 6 e u = F#4 6 e u ] measure 117 C#5 6 e d rest 2 s 3 E5 2 s 3 d [[ (* F#5 2 s 3 d ]] ! G#5 2 s 3 d [[ * F#5 2 s 3 d == E5 2 s 3 d ]] )! measure 118 C#5 6 e d rest 2 s 3 E5 2 s 3 d [[ (* F#5 2 s 3 d ]] ! G#5 2 s 3 d [[ * F#5 2 s 3 d == E5 2 s 3 d ]] )! measure 119 C#5 6 e d rest 2 s 3 E5 2 s 3 d [[ (* F#5 2 s 3 d ]] ! G#5 2 s 3 d [[ * F#5 2 s 3 d == E5 2 s 3 d ]] )! measure 120 B#4 6 e # d [ C#5 6 e d = D#5 6 e # d ] measure 121 F#4 6 e u rest 2 s 3 B#4 2 s #3 d [[ (* C#5 2 s 3 d ]] ! D#5 2 s #3 d [[ * C#5 2 s 3 d == B#4 2 s 3 d ]] )! measure 122 F#4 6 e u rest 2 s 3 B#4 2 s #3 d [[ (* C#5 2 s 3 d ]] ! D#5 2 s #3 d [[ * C#5 2 s 3 d == B#4 2 s 3 d ]] )! measure 123 F#4 6 e u rest 2 s 3 B#4 2 s #3 d [[ (* C#5 2 s 3 d ]] ! D#5 2 s #3 d [[ * C#5 2 s 3 d == B#4 2 s 3 d ]] )! measure 124 E4 6 e u [ ( G#4 6 e u = ) C#5 6 e u ] measure 125 F#5 6 e d [ E5 6 e d = ( D#5 6 e # d ] )t P C33:Y-15 measure 126 C#5 18 q. d F * B Da Capo P C25:f33 C18:Y80x55 mdouble /END