09/02/02 Fran Bennion; 01/10/08 EC WK#:1 MV#:1.13 RV 645 / Chigiana, Siena [facs. 1948] Juditha Triumphans 1.13 Aria (Vagaus): Quamvis ferro, et ense gravis Viola 0 0 Group memberships: sound score sound: part 3 of 5 score: part 3 of 5 & This aria is out of order in the Autograph, appearing on page 65. It is referenced in the recitative on page 37 of the Autograph. In the Autograph beginning in meas. 20 there are nine measures of music crossed out. A "*" appears at this point in the score. & $ K:1 Q:2 T:1/1 C:13 D:Allegro B4 1 e d [ G4 1 e d = D4 1 e d = B3 1 e d ] A3 1 e u [ A3 1 e u = A3 1 e u = A3 1 e u ] measure 2 A4 1 e d [ A4 1 e d = F#4 1 e d = F#4 1 e d ] D4 2 q d D4 2 q d measure 3 B4 1 e d [ G4 1 e d = D4 1 e d = B3 1 e d ] A3 1 e u [ A3 1 e u = A3 1 e u = A3 1 e u ] measure 4 A4 1 e d [ A4 1 e d = F#4 1 e d = F#4 1 e d ] D4 1 e d [ C4 1 e d = D4 1 e d = B4 1 e d ] measure 5 G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] B3 1 e d [ B3 1 e d = B3 1 e d = G4 1 e d ] measure 6 G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] B3 1 e d [ B3 1 e d = B3 1 e d = G4 1 e d ] measure 7 G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] B3 2 q u rest 2 q measure 8 D4 1 e d [ D4 1 e d = D4 1 e d = D4 1 e d ] B3 2 q u rest 2 q measure 9 rest 8 measure 10 rest 8 measure 11 rest 8 measure 12 rest 8 measure 13 rest 8 measure 14 rest 8 measure 15 rest 8 measure 16 rest 8 measure 17 rest 4 h F#4 1 e u [ D4 1 e u = A3 1 e u = F#3 1 e u ] measure 18 C#4 1 e # d [ C#4 1 e d = C#4 1 e d = C#4 1 e d ] C#4 1 e d [ C#4 1 e d = C#4 1 e d = C#4 1 e d ] measure 19 A3 1 e u [ A3 1 e u = A3 1 e u = A3 1 e u ] A3 2 q u rest 2 q measure 20 rest 8 measure 21 rest 8 measure 22 rest 8 measure 23 rest 8 measure 24 rest 8 measure 25 D4 1 e d [ D4 1 e d = D4 1 e d = D4 1 e d ] D4 1 e d [ D4 1 e d = D4 1 e d = D4 1 e d ] measure 26 D4 2 q d rest 2 q rest 4 h measure 27 rest 8 measure 28 rest 8 measure 29 rest 8 measure 30 rest 8 measure 31 rest 8 measure 32 G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] measure 33 G4 2 q d rest 2 q rest 4 h measure 34 rest 8 measure 35 rest 8 measure 36 B4 1 e d [ G4 1 e d = D4 1 e d = B3 1 e d ] A3 1 e u [ A3 1 e u = A3 1 e u = A3 1 e u ] measure 37 F#4 1 e d [ F#4 1 e d = F#4 1 e d = F#4 1 e d ] D4 2 q d D4 2 q d measure 38 B4 1 e d [ G4 1 e d = D4 1 e d = B3 1 e d ] A3 1 e u [ A3 1 e u = A3 1 e u = A3 1 e u ] measure 39 A4 1 e d [ A4 1 e d = F#4 1 e d = F#4 1 e d ] D4 1 e d [ C4 1 e d = D4 1 e d = B4 1 e d ] measure 40 G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] measure 41 G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] B3 2 q u rest 2 q measure 42 D4 1 e d [ D4 1 e d = D4 1 e d = D4 1 e d ] * C [Fine] P C25:f33 C17:Y75x24 D4 2 q d F rest 2 q measure 43 rest 8 measure 44 rest 8 measure 45 rest 8 measure 46 rest 8 measure 47 F#4 1 e d [ F#4 1 e d = F#4 1 e d = F#4 1 e d ] F#4 2 q d rest 2 q measure 48 rest 8 measure 49 F#4 1 e d [ F#4 1 e d = F#4 1 e d = F#4 1 e d ] F#4 1 e d [ F#4 1 e d = F#4 1 e d = F#4 1 e d ] measure 50 E4 2 &1 7 d & The E, G, B in other parts foretold a change in harmony but the note in the Autograph looks like another F#4 (as in the previous measure) and seems wrong. & rest 2 q rest 4 h measure 51 rest 8 measure 52 rest 8 measure 53 rest 8 measure 54 G4 1 e d [ G4 1 e d = G4 1 e d = G4 1 e d ] B4 1 e d [ B4 1 e d = B4 1 e d = G4 1 e d ] measure 55 C#4 2 q # d rest 2 q rest 4 h measure 56 rest 8 @1 Autograph ends this last measure with a quarter note and no rests. * B Da Capo P C25:f33 C17:Y75x55 mdouble /END