(C) 1993, 2002 Center for Computer Assisted Research in the Humanities. ID: {bach/bg/cant/0135/stage2/04/01} [KHM:830216886] TIMESTAMP: NOV/23/2005 [md5sum:87383d572982d53409a47e4c78c5be57] 04/16/93 S. Rasmussen WK#:135 MV#:4 Bach Gesellschaft xxviii Ach Herr, mich armen S\3under Recitative Alto 0 78 A Group memberships: sound score sound: part 1 of 2 score: part 1 of 2 $ K:0 Q:4 T:1/1 C:4 D:Adagio rest 4 q A4 4 q u Ich Bf4 2 e f d [ ( bin_ C5 1 s d =[ _ D5 1 s d ]] ) _ C5 4 q d von measure 2 Bf4 2 e f u [ ( Seuf- A4 2 e u ] ) - rest 2 e Bf4 2 e d zen Af4 2 e f u [ m\3u- G4 2- e u ] - - G4 1 s u [[ - F#4 1 s # u =] - G4 2 e u ] - mdouble 3 A4 2 e u + de, rest 1 s D4 1 s u mein C5 2 e d Geist A4 2 e u hat F#4 2 e # u we- F#4 2 e u der D5 2 e d Kraft A4 2 e u noch measure 4 Bf4 4 q f d Macht, rest 2 e Bf4 2 e d weil Bf4 2 e d ich G4 2 e u die Ef4 2 e f u gan- G4 2 e u ze measure 5 C#4 4 q # u Nacht, rest 1 s A4 1 s u oft E4 1 s u oh- F4 1 s u ne G4 2 e u See- G4 2 e u len- Bf4 2 e f d ruh' A4 2 e u und measure 6 F4 2 e u Frie- F4 2 e u de, rest 1 s D4 1 s u in F4 1 s u gro\0/- A4 1 s u em D5 2 e d Schwei\0/ rest 1 s C5 1 s d und B4 3 e. d + Tr\3a- C5 1 s d nen measure 7 C5 2 e d lie- G4 2 e u ge. rest 4 q rest 4 q rest 2 e C5 2 e d Ich measure 8 C5 3 e. d gr\3a- F#4 1 s # u me F#4 2 e u mich A4 2 e u fast Ef4 4 q f u todt, rest 2 e A4 2 e u und measure 9 A4 2 e u bin C4 2 e u vor Ef4 2 e f u Trau- D4 2 e u ern gC4 6 @a e u ( S C1:t50 Bf3 4 q f u ) alt, rest 2 e D5 2 e d denn measure 10 D5 2 e d mei- B4 2 e d + ne gA4 6 e u ( S C1:t66 G#4 3 e.# u ) Angst A4 1 s u ist A4 2 e u [ man- F#4 2 e # u = - D#4 3 e.# u ] - C5 1 s d nig- measure 11 A4 4 q u falt! rest 4 q rest 8 h mheavy2 /FINE a) Bach Gesellschaft represents this and the following two grace notes as small hooks preceding the principal note. As Frederick Neumann explains in &dBOrnamentation in Baroque and Post-Baroque Music&d@, 1978 Princeton U. Press, p.125-6, n.3, citing BG editor Wilhelm Rust's preface to BG vol. xii, "the hooks were strictly an editorial device to indicate a little note that was absent in the autograph score but present in the original performance parts"; a misleading device, because Bach actually did use the hook symbol, but exclusively in keyboard works. /END @SUPERSEDES: TIMESTAMP: DEC/26/2001 [md5sum:a0be41f80045d3f0f6bd215804953fe5] @REASON: major archive update